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John William Tuohy lives in Washington DC

You know all those things you've always wanted to do?



Today’s thought by me for you;

Be happy. If it’s gone, let it go and be grateful for what you have at this moment, at this very moment. Be grateful for all the goodness that is coming, and it will come. So live in the moment. And because it’s in the past…whatever it was that you let go……don’t blame your problems on the past. Sure, the past affects us but don’t allow it to define how and what you are. Don’t give it that kind of power. 




THE BEAT POETS

Beat poetry evolved during the 1940s in both New York City and on the west coast, although San Francisco became the heart of the movement in the early 1950s. The end of World War II left poets like Allen Ginsberg, Gary Snyder, Lawrence Ferlinghetti and Gregory Corso questioning mainstream politics and culture. A Brief Guide to the Beat Poets | Academy of American Poets https://www.poets.org/poetsorg

John Joseph Wieners


John Joseph Wieners (6 January 1934 – 1 March 2002)

Born in Milton, Massachusetts, Wieners attended St. Gregory Elementary School in Dorchester, Massachusetts and Boston College High School. From 1950 to 1954, he studied at Boston College, where he earned his A.B.

In 1954 he heard Charles Olson read at the Charles Street Meeting House on Beacon Hill during Hurricane Hazel. He decided to enroll at Black Mountain College where he studied under Olson and Robert Duncan from 1955 to 1956.

He then worked as an actor and stage manager at the Poet’s Theater in Cambridge, and began to edit Measure, releasing three issues over the next several years.
From 1958 to 1960 Wieners lived in San Francisco, California and actively participated in the San Francisco Poetry Renaissance. The Hotel Wentley Poems was published in 1958, when Wieners was twenty-four.

Wieners returned to Boston in 1960 and was committed to a psychiatric hospital. In 1961, he moved to New York City and worked as an assistant bookkeeper at Eighth Street Books from 1962-1963, living on the Lower East Side with Herbert Huncke. He went back to Boston in 1963, employed as a subscriptions editor for Jordan Marsh department stores until 1965. Wieners’ second book, Ace of Pentacles, was published in 1964.

In 1965, after traveling with Olson to the Spoleto Festival and the Berkeley Poetry Conference, he enrolled in the Graduate Program at SUNY Buffalo. He worked as a teaching fellow under Olson, then as an endowed Chair of Poetics, staying until 1967, with Pressed Wafer coming out the same year. In 1968, he signed the “Writers and Editors War Tax Protest” pledge, vowing to refuse tax payments in protest against the Vietnam War. In the spring of 1969, Wieners was again institutionalized, and wrote Asylum Poems.

Nerves was released in 1970, containing work from 1966 to 1970. In the early 1970s, Wieners became active in education and publishing cooperatives, political action committees, and the gay liberation movement. He also moved into an apartment at 44 Joy Street on Beacon Hill, where he lived for the next thirty years.

In 1975, Behind the State Capitol or Cincinnati Pike was published, a magnum opus of “Cinema decoupages; verses, abbreviated prose insights.” For the next ten years, he published rarely and remained largely out of the public eye. In 1985, he was a Guggenheim Fellow.

Black Sparrow Press released two collections edited by Raymond Foye: Selected Poems: 1958-1984 and Cultural Affairs in Boston, in 1986 and 1988 respectively. A previously unpublished journal by Wieners came out in 1996, entitled The Journal of John Wieners is to be called 707 Scott Street for Billie Holliday 1959, documenting his life in San Francisco around the time of The Hotel Wentley Poems.

At the Guggenheim Museum in 1999, Wieners gave one of his last public readings, celebrating an exhibit by the painter Francesco Clemente. A collaboration between the two, Broken Women, was also published.

Wieners died on March 1, 2002 at Massachusetts General Hospital in Boston, having collapsed a few days previously after an evening attending a party with his friend and publisher Charley Shively. Kidnap Notes Next, a collection of poems and journal entries edited by Jim Dunn, was published posthumously in 2002.

A Book of Prophecies was published in 2007 from Bootstrap Press. The manuscript was discovered in the Kent State University archive's collection by poet Michael Carr. It was a journal written by Wieners in 1971, and opens with a poem titled 2007.
His papers are held at the University of Delaware.

In September 2015, City Lights Publishers will release Stars Seen in Person: Selected Journals of John Wieners, which collects four of Wieners' previously unpublished journals from 1955 and 1969. These journals capture a post-war bohemian world that no longer exists, seen through the prism of Wieners’ sense of glamour.


Pamela Petro
The Hipster of Joy Street
An introduction to the life and work of John Wieners

John Wieners died in 2002. This piece was published in the Boston College Magazine in the Northern Fall of 2000. It is reprinted here with permission. The piece is 4,700 words or about ten printed pages long.
John Wieners once wrote, ‘I will be an old man sometime / And live in a dark room somewhere.’ Today Wieners is an old man, but his small apartment on the far side of Beacon Hill — on Joy Street, where he has lived since 1971 — is not dark. It is bright and disorderly and crowded with visual evidence of a mind constantly shuffling perceptions: a kind of four-room, lived-in collage. One of his own books, an out-of-print paperback, lies open on a Formica-topped table, spine broken, lines of poetry crossed out and rewritten in pencil as if the literary choices he made 40 years ago still gnaw at him. When he pulls another of his works off a shelf its cover seems a palimpsest. The original artwork — a close-up of a woman’s face from an advertisement that Wieners eerily altered with tiny rips and tears — has been replaced with a magazine clipping Scotch-taped over the top. Peeling back the new image, which depicts a painting of a woman smoking before a mirror, to reveal the one below is like peering into the whirlpool of Wieners’s imagination. For him, publication is not the summit it is for most artists. No work is ever finished.
      When asked if he uses his poems as bookmarks to his past, as ways of thinking back about places and people, Wieners squints, furrowing his forehead like a tilled field, and runs his hands through his two thick tufts of pale, graying hair. The motion makes him appear more bird-like than ever: a gentle hawk, perhaps, with narrowed eyes, a sharp, stubble-covered chin, and a paunch, absently smoking a cigarette. He draws a breath and replies that it is too painful to think so deeply. Besides, he says in a slow, thin voice, indicating a table littered with empty eggnog cartons and full ashtrays, stuffed underneath with old liquor bottles, ‘It takes up all the energy I have to save for housekeeping.’
A photograph taken in 1958 shows four handsome young men sitting on a stoop in San Francisco. Three, including the writers Michael McClure and David Meltzer, stare at the camera with flirty bravado. Only one, sitting by himself in a rogue shadow cast by something beyond the picture frame, glances away. He smiles good-naturedly, but seems uninterested in meeting the mechanical eye that will fix his image for posterity.
      This is the young John Wieners, a Boston boy 24 years old, gone to the West Coast to experiment with life. Not to live it so much as to see if blood, bone, and sinew could — under self-inflicted pressure — be forged, or better yet, transubstantiated, into poetry. ‘These days,’ he wrote in his journal of the same year, published much later as 707 Scott Street (Sun & Moon Press, 1996), ‘shall be my poems...’ Several months afterward he added, ‘I will use the distractions of this world and erect a structure from them that will be of the poem. No matter how I go, [or] how ruined.’ By ‘distractions,’ Wieners meant sex and drugs and all-night Chinese restaurants and, if not exactly rock and roll, then certainly jazz: a lifestyle that came to be a hallmark of a group of writers called the Beats.
      The patron saint of the Beats, indeed of all those like Wieners who seek literature in extremity, is Arthur Rimbaud, one of the great French poètes maudits. In 1871 Rimbaud wrote, ‘The poet makes himself a voyant through a long, immense, and reasoned deranging of all his senses. All the forms of love, of suffering, of madness; he tries to find himself, he exhausts in himself all the poisons... he needs all his faith, all his superhuman strength, in which he becomes among all men the great invalid, the great criminal... and the supreme Savant!’
      The search for love and the pursuit of suffering, of ‘poisons,’ even madness — that might well describe the young John Wieners. Yet, unlike Rimbaud, who was an unpleasant genius, Wieners is a courtly and self-effacing man with far too much humility to call himself the supreme anything, much less Savant (the closest he ever came to youthful boasting was to claim that there were probably ‘10 or 15 poets in every 175 million men’). Rimbaud stopped writing at the age of 19, and died at 37. Wieners, despite the hardships inherent in following the Frenchman’s advice, has never stopped writing, and continues to donate his years — 66 of them now — to the building of a lifelong house of poetry. In contrast to his humble, 60-step walk-up, Wieners’s house of words is one of the grandest literary structures of his generation.

Pain and suffering. Give me the strength
to bear it, to enter those places where the
great animals are caged. And we can live
at peace by their side. A bride to the burden

that no god imposes but knows we have the means
to sustain its force unto the end of our days.
For that is what we are made for; for that
we are created. Until the dark hours are done.

And we rise again in the dawn.
Infinite particles of the divine sun, now
worshiped in the pitches of the night.

            From "The Acts of Youth"

John Joseph Wieners was born in 1934 on Eliot Street in Milton, Massachusetts. (‘Look at his address,’ says Jim Dunn, a fellow poet and close friend. ‘He was destined to be a poet.’) Wieners is the only surviving sibling of four children who grew up in an Irish Catholic household in a middle-class neighborhood. Their mother, a waitress and housecleaner, worked in a defense factory during World War II. ‘She loved a good time,’ Wieners recalls, and ‘liked eccentricity up to a point’ — as long as a person put it to use within the conventions of middle-class ‘good taste.’ Wieners’s father was a maintenance man in downtown Boston, and it was to him that Wieners dedicated his volume Asylum Poems (Angel Hair, 1969). It was written when Wieners was in the Taunton State psychiatric hospital, where his father had earlier been committed for alcoholism.
      Except for John, the family went on to live conventional lives. His sister became a nun; one brother, a lawyer; the other, a soldier. ‘It’s like a medieval play,’ observes Charles Shively, another friend of Wieners, who teaches at UMass-Boston and is a poet himself. ‘The lawyer, the nun, the soldier... and the fragile poet lives on.’
      As a child, John Wieners (Jackie, the family called him) ‘was a little eccentric, maybe, and extremely bright,’ says his cousin Arlene Phinney. ‘He had a double promotion at St. Gregory’s. But what I remember best is his kindness.’ The excesses that Wieners’s publisher Raymond Foye would later characterize as his ‘extravagant personality’ were only hinted at during his years at Boston College. Wieners majored in English, worked in the library on a fellowship, and was literary editor of the Stylus, for which he wrote a poem about the death of the actress Gertrude Lawrence — his first publication. (Wieners has had a lifelong fascination with singers and actors. ‘He dreams of being a monied movie star,’ says Jim Dunn, ‘or a beautiful woman.’)
      While an undergraduate Wieners lived at home in Milton and commuted to campus every day. ‘I had a gang of girls drive me,’ he remembers, pleased. Twenty or so years later he went back to the college to give a poetry reading. Charles Shively recalls it as a great moment. ‘He wore a gold lamé bullfighter’s jacket, and Father [Francis] Sweeney did the introduction. John’s relatives were there, and John was splendid. It was sort of like home-boy-makes-good.’
      After graduating from BC in 1954 Wieners heard the poet Charles Olson give a reading at Boston’s Charles Street Meeting House on the night of Hurricane Hazel. Wieners was literally swept out of town by Olson’s work, and subsequently spent a year at the experimental Black Mountain College in North Carolina, where Olson taught poetry. It was at Black Mountain that Wieners met the poet Robert Creeley, with whom he formed a lifelong friendship, and who was struck by his ‘great quiet and particular manners.’ (To this day Wieners’s friends remark on his chivalrous demeanor; Jim Dunn says, simply, ‘he has the manners of a saint.’)
      Wieners’s ‘great quiet’ contributed, ironically, to the development of his hip image. Frank O’Hara found Wieners at 23 to be ‘always quietly mysterious.’ O’Hara biographer Brad Gooch commented that Wieners had a ‘shy and darkly retiring manner, which registered on many as the appropriately cool and aloof stance of a hipster.’ O’Hara was also infatuated with the whiff of danger that clung to the young poet, particularly his drug use and instability: what Wieners called his ‘avowal to mental illness as a youth.’
      An incident from this time — when Wieners spent a week in New York City, sleeping on O’Hara’s couch — was recounted by O’Hara’s partner Joseph LeSueur. ‘Saturday afternoon John went to do some sort of research at the 42nd Street public library while we went to see The Curse of Frankenstein at Loew’s Sheridan. That evening John, high on Benzedrine, came home and told us about the horrifying, hallucinatory experience he’d had at the library. Later I said to Frank, ‘Isn’t it funny? We go to a horror movie and don’t feel a thing, and John just goes to the library and is scared out of his wits.’
      On the eve of his own fame, O’Hara wrote Wieners a poem called ‘To a Young Poet’



A YOUNG POET
full of passion and giggles
brashly erects his first poems
and they are ecstatic
      followed by a clap of praise
            from a very few hands
belonging to other poets.
           He is sent! and they are moved to believe, once more,
freshly
     in the divine trap.

His career launched by O’Hara, in 1957 Wieners made for San Francisco in the footsteps of another Massachusetts boy, Jack Kerouac, whose novel On the Road had appeared earlier that year. Asked recently how he had liked life on the West Coast, Wieners replied dryly, ‘Well, the weather was much better.’ So was the social and artistic landscape. Wieners had moved west with a man named Dana, his lover of six years. When they broke up Wieners retired to his room at a boardinghouse in San Francisco’s red-light district and in less than a week composed a volume called The Hotel Wentley Poems (Auerhan Press, 1958; Dave Haselwood, 1965), which instantly became a classic of modern melancholy. It read, wrote Raymond Foye, ‘like a résumé of Beat poetry and of late romanticism as a whole: urban despair, poverty, madness, homosexual love, narcotics and drug addiction, the fraternity of thieves and loveless transients.’
      The word ‘Beat’ comes from an offhand remark made by Kerouac, who called himself and his postwar peers ‘a beat generation,’ meaning down-and-out, or ‘finished.’ Beat poet John Clellon Holmes defined it as ‘the feeling of having been used, of being raw.... [I]t involves a nakedness of mind, and, ultimately, of soul... of being pushed up against the wall of oneself.’ What began as a literary movement, practiced most famously by Kerouac, Allen Ginsberg, Gregory Corso, and William S. Burroughs, quickly became a sociological phenomenon: a rebellion against middle-class respectability, a belief that only in extremity can one feel anything in a world increasingly numbed by comfort and conformity.
      The best-known Beat writing reveled in a kind of corresponding literary extremity. Ginsberg’s primal wail against the atomic age — his long masterpiece, ‘Howl’ — used profanity and slap-you-in-the-face staccato rhythm to get the reader’s attention, as did Kerouac’s On the Road, which read like a high-speed joy ride. John Wieners, on the other hand, lived the Beat aesthetic more than he practiced it stylistically in his writing, which through economy and elegance achieved a lyricism unknown in the poetry of his peers.


It is a simple song:
to long for home and him
lounging there under the moon.
Who is my heart, what is he
that he should mean this much to me?
            — From ‘The Woman’

Asked if he considers himself a Beat poet, Wieners leans forward in his squeaky chair, takes a drag on his cigarette, and courteously replies, ‘Yes, I do.’ Satisfied, he settles back again and waits in silence for the next question. Prodded into elaborating, he continues, ‘Well, the movement got some publicity, and I didn’t.’ He adds that working at City Lights, Lawrence Ferlinghetti’s famous San Francisco bookstore, ‘gave me a Beat image.’
      Others find Wieners’s association with the Beats purely a generational tag. Says Robert Creeley, ‘If “Beat” is to cover poets at the time who had, as John, put themselves entirely on the line — “At last. I come to the last defense” — then he was certainly one. But I think better to see him as The New American Poetry locates him, singular and primary — not simply as a “Beat” poet, nor defined only by drug use, nor a regional poet, nor one of a “school.” Because that begs all the particulars of John’s writing, his immense articulation of the situation and feelings in a relationship with another — literally, love. It’s not a question of gay or straight — it’s how we, humanly, are attracted to and moved by one another, how we know another as being here too. There is no greater poet of this condition than John.’
      Ultimately, the Beat hero resonated so deeply in popular culture that he became subsumed within it as the rebel without a cause and, inevitably, as Jumpin’ Jack Flash on the stage of perpetual alienation known as rock and roll. The Beats themselves either became cultural icons (Ginsberg), died young (Kerouac), or quit smoking and moved to the suburbs (most of the others). Wieners did none of those things. His lifestyle was always in service to his poetry, so he simply went on living to write, often in poverty, sometimes in mental institutions, always in obscurity. He quietly became, in effect, Rimbaud’s voyant.
      In the introduction to Wieners’s Selected Poems: 195–1984, published by Black Sparrow Press, Ginsberg writes, ‘John Wieners’s glory is solitary, as pure poet — a man reduced to loneness in poetry, without worldly distractions — and a man become one with his poetry. A life in contrast to the fluff and ambition of Pulitzer, National Book Awardees, Poetry Medallists.’ Robert Creeley says, simply, ‘His poems had nothing else in mind but their own fact.’ Wieners himself, questioned in his Joy Street apartment about what Ginsberg meant when he called him a ‘pure poet,’ says in his deadpan Boston accent, ‘He meant that I was Irish Catholic.’
      Not only did Wieners’s inherent modesty conspire against potential fame, so did his poetry. It was the stylistic objective of the Beats never to be ignored — to be a cacophony of loud, new, aggravating voices. Wieners’s lyricism, by contrast, held elegance and introspection but not modernity, the engine behind the celebrity-making machine of the 20th century. ‘Why the inattention?’ critic Jack Kimball asks rhetorically. ‘Of all postmoderns Wieners comes closest to 17th-century intellectual laws, paying tribute in denial of pure patented mystique, free will, final causes.’ Wieners’s ‘lack of modernity,’ Kimball says, has been ‘one motive for slackened interest.’
      Wieners is a poet but never a showman; in fact, his approach to his career has been casually negligent at best. Of the three plays and 29 volumes of prose and poetry he’s seen published, only three remain in print; it is hard to picture him shopping his books around publishing houses to get them reissued. Possibly because of his penchant for mental recycling, he is notorious for throwing work away, imagining the crumpled scrap as but one incarnation of an idea. Boston publisher and poet Bill Corbett claims that Wieners is ‘self-effacing about his work to the point of almost erasing it.’ The poet himself once said, ‘I am living out the logical conclusion of my books, and those are out of print.’
      Relative obscurity hasn’t meant that Wieners doesn’t have a following, especially among other poets. ‘He’s the poetic equivalent of the Velvet Underground,’ says Jim Dunn. ‘What’s the famous saying about them? Only a thousand people bought their albums, but they all started rock bands. It’s the same with John. He’s an inspiration.’
At last. I come to the last defense.

My poems contain no
                  wilde beestes, no
lady of the lake music
of the spheres, or organ chants,

yet by these lines
I betray what little given me.

One needs no defense.

                  Only the score of a man’s
                  struggle to stay with
what is his own, what
lies within him to do.

Without which is nothing,
for him or those who hear him
And I come to this,
knowing the waste, leaving

the rest up to love
and its twisted faces,
my hands claw out at
only to draw back from the
blood already running there.

Oh come back, whatever heart
you have left. It is my life
you save. The poem is done.
            — ‘From A Poem for Painters’

After returning from San Francisco to the East Coast in 1959, Wieners did graduate work at the State University of New York, at Buffalo, and eventually settled in Boston, where he has remained. He continued to use drugs and alcohol, often excessively. ‘You don’t have the same self-protective faculties after you’ve taken narcotics,’ he said in a 1970s interview with Charles Shively. ‘The senses that the human organism has equipped itself with to take care of itself, to protect itself.... These all dissolve. I’d had two or three years of steady marijuana and peyote daily.... I was living in a visionary state, so that eventually the conscious faculties were being used to a minimum.’
      Understandably, Wieners’s friends concentrate on the whimsical side of these years. Shively recalls riding the monorail at Disney World with Wieners and Allen Ginsberg in 1972, because they couldn’t afford to go on the rides. ‘At first they wouldn’t admit John because he was wearing only a Speedo bathing suit with a Zippie button. But I gave him my shirt and went in my undershirt.... Afterwards it rained and there was a big rainbow over the parking lot.’
‘He’s the poetic equivalent of the Velvet Underground,’ says friend and poet Jim Dunn, left, with Wieners. ‘What’s the famous saying about them? Only a thousand people bought their albums, but they all started rock bands. It's the same with John.’
      Another much-told tale features Wieners as a teaching assistant at SUNY Buffalo, arriving in class wearing pink hair curlers. These stories sum up Wieners as the benignly eccentric hero-poet, acting beyond the pale of conventional behavior, experiencing what others dare not. A kind of quirky, contemporary Romantic ideal. Because he was always scrupulously polite in his eccentricities, friends tended to mythologize him and protect him. But this was also the time that Wieners’s ‘courting of madness in the Rimbaudian fashion,’ as Jim Dunn puts it, came to a head. ‘Of course he was tragically wrong,’ adds Dunn. In the 1960s and 1970s Wieners was repeatedly hospitalized for a series of nervous breakdowns and episodes of insanity. (During one such episode Wieners’s sister Marian left her religious order to help their parents through the ordeal.)
      It was at the Taunton State Hospital that Wieners wrote ‘Children of the Working Class,’ about the sons and daughters of the poor, whose mental and physical health was sacrificed before birth in factory and field labor: ‘gaunt, ugly deformed / broken from the womb, and horribly shriven / at the labor of their forefathers, if you check back / scout around grey before actual time / their sordid brains don’t work right.... ’
      Against this backdrop of imbalance and despair, Wieners’s poems take on a simultaneously wistful and heroic quality, not only in their yearning for stability, made manifest in ‘Supplication’ (quoted below), but in the simple fact of their existence.

O poetry, visit this house often
imbue my life with success,
leave me not alone,
give me a wife and home.

Take this curse off
of early death and drugs,
make me a friend among peers,
lend me love, and timeliness.

Return me to the men who teach
and above all, cure the
hurts of wanting the impossible
through this suspended vacuum.

‘Supplication’ was included in the volume Nerves, which was published in 1970 and is considered by many to be Wieners’s finest work. Raymond Foye points out that nerves can refer to tension and distraction or to strength and courage: the very poles on which Wieners’s psyche is stretched.
      Supplication, of course, also carries a religious overtone; his plea to Poetry may be secular in name, but it has the cadence of a prayer. The poet, Wieners wrote, is ‘a priest / defrocked as Spender says.’ Like the priest, the poet stands outside experience. And like the priest, the poet uses words as intercessors — in Wieners’s case, between the tumult of life and love and the lonely interior world of poetry. For him, words are like so many reliquaries and holy cards and prayers. In his San Francisco diary, 707 Scott Street, Wieners wrote that poetry ‘is an immortal art of man. Practiced by him alone in absolute silence in the middle of noisy bars and restaurants, on the back porches of houses from Gloucester to San Francisco.’
      Throughout his life Wieners has tried all kinds of means by which to ford the gully between himself and the world at large: heroin, alcohol, travel, sex tactics that superficially make him a Beat poet. But his most lasting bridges have been built with words. He is perhaps best understood as a poet with religious longings, one who calls on poems — secular prayers — to breach the divide between himself and humanity, or even between himself and God.


Is it enough my feet blackend
                  from streets of the city?
My hands coarsend, lovely bones
                  gone to dust.

Is it enough? My heart hardend
arms thickend eyes dim.
Is it enough I lost sight of him
Ages ago and still follow after
            on some blind, dumb path?

Is this the aftermath?...

            From ‘Impasse’

One of the constants in Wieners’s life since his return from the West Coast has been the city of Boston itself. In an interview Charles Shively asked Wieners what label he’d put on himself as a poet — Black Mountain, New York, Boston, San Francisco — and Wieners replied without hesitation, ‘I am a Boston poet.’ For someone who in recent conversation defined the word ‘beat’ as ‘homelessness,’ Boston is in many ways the foundation that reminds Wieners he is ‘home,’ in both the physical and literary sense, whenever he starts to stray.
      He doesn’t go out much these days: to a local market for cigarettes, or to Brigham’s with Jim Dunn to get root beer floats (a weekly ritual). But Wieners remains of the city. Another close friend and fellow poet, Jack Powers, recalls catching a glimpse of him once on the street. ‘He had taken off his glasses, and he was holding them up like this, looking at the dome of the State House. I wish I could imprison that moment in sculpture, because it showed a reverence... for the city of Boston.’
Boston, sooty in memory, alive with a
thousand murky dreams of adolescence
still calls to youth; the wide streets, chimney tops over
Charles River’s broad sweep to seahood buoy;
            the harbor
With dreams, too...

Slumbering city, what makes men think you sleep,
but breathe, what chants or paeans needed
            at this end, except
you stand as first town, first bank of hopes,
            first envisioned
paradise...

            From ‘After Symonds’ Venice’
Robert Creeley, when asked what made John Wieners a Boston poet, apart from ‘simply living there,’ replied, ‘“Simply living” anywhere is not at all as simple as it may sound. So many people are on their way to somewhere else, always — dragged along by various need, confusion, or ambition.... To be somewhere right now is not easy. John is a dear and absolute person of the city of Boston — it’s where he first found his life specific, I am sure. It’s his ground, his defining place, his language, his need, his limit, and his pleasure. As Charles Olson would put it, it constitutes “his habit and his haunt.”’
      Five years ago Jim Dunn — a young poet living in Cambridge — met John Wieners at a reading in Jack Kerouac’s birth city of Lowell, Massachusetts, and the two became good friends. ‘He offered me a copy of one of his books,’ recalls Dunn. ‘He’d written his name in it in careful, Catholic schoolboy script. I was so touched.’ Now the two meet for the aforementioned root beer floats, or just sit quietly together in Wieners’s apartment, seldom speaking. ‘He has a sincere humility that is so rare,’ says Dunn. ‘No one else I know is so completely at peace with his situation in life.’
      Wieners still writes poetry. It is so much a part of his life that Dunn says it flows seamlessly into other things: shopping lists become poems, poems become to-do lists. To make ends meet, Wieners gives poetry readings, and sometimes even shows up for them; tales of his forgetting or deciding not to attend these literary events are legendary. Jack Powers tells of climbing six stories of fire escapes and into Wieners’s kitchen window to persuade the reluctant poet to go to a painstakingly prearranged reading in western Massachusetts. (Wieners wasn’t at all perturbed; ‘Oh, hi ya, Johnny,’ was all he said to Powers.) Another reading, at Old South Church in Boston — a neo-Beat event — was to have featured Wieners as the star attraction. A slight cold kept him away, leaving the small audience to make do with a hulking poet named Buddah, a thin old gentleman dressed in white sweatpants with flowing hair and beard to match, a bad-tempered Kerouac biographer, and a woman who compared her love to a luscious strawberry.
The cover of a tribute to Wieners, published in 2000 by Granary Books. Among the poets and novelists who contributed are Allen Ginsberg, Robert Creeley, Amir Baraka, Jim Harrison, Thom Gunn, Paul Auster, Gail Mazur, John Ashbery, Charles Simic, and James Tate.
      Wieners is not so much cavalier about his readings — or nonreadings — as he is unconvinced of the merit of his attendance. ‘Readings are best left to the young,’ he said once; another time he mused audibly before a rapt audience that no one really wanted or needed to hear his work anyway. In the fall of 1999 he did accept an invitation to read at the Guggenheim with his old friend Michael McClure, with whom he was photographed in San Francisco almost half a century ago. Jim Dunn recalls that he read for about 15 minutes then abruptly sat down halfway through the gig. ‘That was it,’ says Dunn, ‘he was done. He’d decided he was finished, and when John makes up his mind he can’t be budged.’ Raymond Foye agrees. ‘To encounter Wieners personally,’ he wrote, ‘is to meet with a man who seems entirely given to ephemeral gleanings, unused to the practicalities of the material world; to know him well is to behold his stubbornness and tenacity.’
      Wieners’s determination to be himself at all costs is perhaps the key to his endurance. ‘There’s a certain courage to his fabric,’ says Dunn. ‘He perseveres, in body and work; in a quiet way. He is not one to scream and shout, but it’s there.’ Not all days are good: Sometimes his thinking is more linear than others; sometimes his conversation is more like a mosaic of associations that pieces together an inscrutable image. His nephew helps with practicalities like finances; his friends form a protective shield against the world’s rough edges. In fact, several of Wieners’s friends, when they heard about this article, asked to be interviewed, to attest to his kindness and generosity, his low-key, whimsical sense of humor. As ever, Robert Creeley sums him up best. ‘[John] is very generous, very caring, always. If we are in a world where a friend such as John cannot have a life, given the mental illness he’s had to manage all these years, then we’ve all failed, no matter what it is we think we do. But we are not taking care of John any more than he is taking care of us, if you hear me. We need him very much. We need what his poems can say.’

Freelance writer Pamela Petro lives in Northampton, Massachusetts. She is the author of Travels in an Old Tongue (HarperCollins, 1996); her book on Southern storytellers was published in 2001.

Stone Girl    
             
A simple poem
About love is what I want
To write:   words
Without mystery, but
Shoulders touching
In a slow song,
                            Watching the
Words come out,
                            Like a snake
From its box, it winds
About our shoulders and
               Neck like a noose.
We wait on the bed
                            Scaffold
                                     To drop
Into its pit and hang
                       Hung up there.



ABOUT THE AUTHOR

John William Tuohy is a writer who lives in Washington DC. He holds an MFA in writing from Lindenwood University.
He is the author of No Time to Say Goodbye: Memoirs of a Life in Foster Care and Short Stories from a Small Town. He is also the author of numerous non-fiction on the history of organized crime including the ground break biography of bootlegger Roger Tuohy "When Capone's Mob Murdered Touhy" and "Guns and Glamour: A History of Organized Crime in Chicago."
His non-fiction crime short stories have appeared in The New Criminologist, American Mafia and other publications. John won the City of Chicago's Celtic Playfest for his work The Hannigan's of Beverly, and his short story fiction work, Karma Finds Franny Glass, appeared in AdmitTwo Magazine in October of 2008.
His play, Cyberdate.Com, was chosen for a public performance at the Actors Chapel in Manhattan in February of 2007 as part of the groups Reading Series for New York project. In June of 2008, the play won the Virginia Theater of The First Amendment Award for best new play.
Contact John:
MYWRITERSSITE.BLOGSPOT.COM
JWTUOHY95@GMAIL.COM


In 1962, six year old John Tuohy, his two brothers and two sisters entered Connecticut’s foster care system and were promptly split apart. Over the next ten years, John would live in more than ten foster homes, group homes and state schools, from his native Waterbury to Ansonia, New Haven, West Haven, Deep River and Hartford. In the end, a decade later, the state returned him to the same home and the same parents they had taken him from. As tragic as is funny compelling story will make you cry and laugh as you journey with this child to overcome the obstacles of the foster care system and find his dreams.
http://www.amazon.com/No-Time-Say-Goodbye-Memoir/dp/0692361294/
http://amemoirofalifeinfostercare.blogspot.com/
http://www.amazon.com/No-Time-Say-Goodbye-Memoir/dp/


By Dr. Wm. Anthony Connolly
This incredible memoir, No Time to Say Goodbye, tells of entertaining angels, dancing with devils, and of the abandoned children many viewed simply as raining manna from some lesser god.
The young and unfortunate lives of the Tuohy bruins—sometimes Irish, sometimes Jewish, often Catholic, rambunctious, but all imbued with Lion’s hearts—told here with brutal honesty leavened with humor and laudable introspective forgiveness. The memoir will have you falling to your knees thanking that benevolent Irish cop in the sky, your lucky stars, or hugging the oxygen out of your own kids the fate foisted upon Johnny and his siblings does not and did not befall your own brood. John William Tuohy, a nationally-recognized authority on organized crime and Irish levity, is your trusted guide through the weeds the decades of neglect ensnared he and his brothers and sisters, all suffering for the impersonal and often mercenary taint of the foster care system. Theirs, and Tuohy’s, story is not at all figures of speech as this review might suggest, but all too real and all too sad, and maddening. I wanted to scream. I wanted to get into a time machine, go back and adopt every last one of them. I was angry. I was captivated. The requisite damning verities of foster care are all here, regretfully, but what sets this story above others is its beating heart, even a bruised and broken one, still willing to forgive and understand, and continue to aid its walking wounded. I cannot recommend this book enough.

AMAZON REVIEWS

By jackieh on October 13, 2015
After reading about John's deeply personal and painful past, I just wanted to hug the child within him......and hug all the children who were thrown into the state's foster system....it is an amazing read.......
By Jane Pogoda on October 9, 2015
I truly enjoyed reading his memoir. I also grew up in Ansonia and had no idea conditions such as these existed. The saving grace is knowing the author made it out and survived the system. Just knowing he was able to have a family of his own made me happy. I attended the same grammar school and was happy that his experience there was not negative. I had a wonderful experience in that school. I wish that I could have been there for him when he was at the school since we were there at probably at the same time.
By Sue on September 27, 2015
Hi - just finished your novel "No time to say goodbye" - what a powerful read!!! - I bought it for my 90 year old mom who is an avid reader and lived in the valley all her life-she loved it also along with my sister- we are all born and raised in the valley- i.e. Derby and Ansonia
By David A. Wright on September 7, 2015
I enjoyed this book. I grew up in Ansonia CT and went to the Assumption School. Also reconized all the places he was talking about and some of the families.
By Robert G Manley on September 7, 2015
This is a wonderfully written book. It is heart wrenchingly sad at times and the next minute hilariously funny. I attribute that to the intelligence and wit of the author who combines the humor and pathos of his Irish catholic background and horrendous "foster kid" experience. He captures each character perfectly and the reader can easily visualize the individuals the author has to deal with on daily basis. Having lived part of my life in the parochial school system and having lived as a child in the same neighborhood as the author, I was vividly brought back to my childhood .Most importantly, it shows the strength of the soul and how just a little compassion can be so important to a lost child.
By LNA on July 9, 2015
John Tuohy writes with compelling honesty, and warmth. I grew up in Ansonia, CT myself, so it makes it even more real. He brings me immediately back there with his narrative, while he wounds my soul, as I realize I had no idea of the suffering of some of the children around me. His story is a must read, of courage and great spirit in the face of impoverishment, sorrow, and adult neglect. I could go on and on, but just get the book. If you're like me, you'll soon be reading it out loud to any person in the room who will listen. Many can suffer and overcome as they go through it, but few can find the words that take us through the story. John is a gifted writer to be able to do that.
By Barbara Pietruszka on June 29, 2015
I am from Connecticut so I was very familiar with many locations described in the book especially Ansonia where I lived. I totally enjoyed the book and would like to know more about the author. I recommend the book to everyone
By Joanne B. on June 28, 2015
What an emotional rollercoaster. I laughed. I cried. Once you start reading it's hard to stop. I was torn between wanting to gulp it up and read over and over each quote that started the chapter. I couldn't help but feel part of the Tuohy clan. I wanted to scream in their defense. It's truly hard to believe the challenges that foster children face. I can only pray that this story may touch even one person facing this life. It's an inspiring read. That will linger long after you finish it. This is a wonderfully written memoir that immediately pulls you in to the lives of the Tuohy family.
By Paul Day on June 15, 2015
Great reading. Life in foster care told from a very rare point of view.
By Jackie Malkes on June 5, 2015
This book is definitely a must for social workers working with children specifically. This is an excellent memoir which identifies the trails of foster children in the 1960s in the United States. The memoir captures stories of joy as well as nail biting terror, as the family is at times torn apart but finds each other later and finds solace in the experiences of one another. The stories capture the love siblings have for one another as well as the protection they have for one another in even the worst of circumstances. On the flip side, one of the most touching stories to me was when a Nun at the school helped him to read-- truly an example of how a positive person really helped to shape the author in times when circumstances at home were challenging and treacherous. I found the book to be a page turner and at times show how even in the hardest of circumstances there was a need to live and survive and make the best of any moment. The memoir is eye-opening and helped to shed light and make me feel proud of the volunteer work I take part in with disadvantaged children. Riveting....Must read....memory lane on steroids....Catholic school banter, blue color towns...Lawrence Welk on Sundays night's.
By Eileen on June 4, 2015
From ' No time to say Goodbye 'and authors John W. Touhys Gangster novels, his style never waivers...humorous to sadness to candidly realistic situations all his writings leaves the reader in awe......longing for more.
By karen pojakene on June 1, 2015
This book is a must-read for anyone who administers to the foster care program in any state. This is not a "fell through the cracks" life story, but rather a memoir of a life guided by strength and faith and a hard determination to survive. it is heartening to know that the "sewer" that life can become to steal our personal peace can be fought and our peace can be restored, scarred, but restored.
By Michelle Black on
A captivating, shocking, and deeply moving memoir, No Time to Say Goodbye is a true page turner. John shares the story of his childhood, from the struggles of living in poverty to being in the foster care system and simply trying to survive. You will be cheering for him all the way, as he never loses his will to thrive even in the darkest and bleakest of circumstances. This memoir is a very truthful and unapologetic glimpse into the way in which some of our most vulnerable citizens have been treated in the past and are still being treated today. It is truly eye-opening, and hopefully will inspire many people to take action in protection of vulnerable children.
By Kimberly on May 24, 2015
I found myself in tears while reading this book. John William Tuohy writes quite movingly about the world he grew up in; a world in which I had hoped did not exist within the foster care system. This book is at times funny, raw, compelling, heartbreaking and disturbing. I found myself rooting for John as he tries to escape from an incredibly difficult life. You will too!
By Geoffrey A. Childs on May 20, 2015
I found this book to be a compelling story of life in the Ct foster care system. at times disturbing and at others inspirational ,The author goes into great detail in this gritty memoir of His early life being abandoned into the states system and his subsequent escape from it. Every once in a while a book or even an article in a newspaper comes along that bears witness to an injustice or even something that's just plain wrong. This chronicle of the foster care system is such a book and should be required reading for any aspiring social workers.


HERE'S MY LATEST BOOKS.....

This is a book of short stories taken from the things I saw and heard in my childhood in the factory town of Ansonia in southwestern Connecticut.

Most of these stories, or as true as I recall them because I witnessed these events many years ago through the eyes of child and are retold to you now with the pen and hindsight of an older man. The only exception is the story Beat Time which is based on the disappearance of Beat poet Lew Welch. Decades before I knew who Welch was, I was told that he had made his from California to New Haven, Connecticut, where was an alcoholic living in a mission. The notion fascinated me and I filed it away but never forgot it.     

The collected stories are loosely modeled around Joyce’s novel, Dubliners (I also borrowed from the novels character and place names. Ivy Day, my character in “Local Orphan is Hero” is also the name of chapter in Dubliners, etc.) and like Joyce I wanted to write about my people, the people I knew as a child, the working class in small town America and I wanted to give a complete view of them as well. As a result the stories are about the divorced, Gays, black people, the working poor, the middle class, the lost and the found, the contented and the discontented.

Conversely many of the stories in this book are about starting life over again as a result of suicide (The Hanging Party, Small Town Tragedy, Beat Time) or from a near death experience (Anna Bell Lee and the Charge of the Light Brigade, A Brief Summer) and natural occurring death. (The Best Laid Plans, The Winter Years, Balanced and Serene)

With the exception of Jesus Loves Shaqunda, in each story there is a rebirth from the death. (Shaqunda is reported as having died of pneumonia in The Winter Years)
Sal, the desperate and depressed divorcee in Things Change, changes his life in Lunch Hour when asks the waitress for a date and she accepts. (Which we learn in Closing Time, the last story in the book) In The Arranged Time, Thisby is given the option of change and whether she takes it or, we don’t know. The death of Greta’s husband in A Matter of Time has led her to the diner and into the waiting arms of the outgoing and loveable Gabe.

Although the book is based on three sets of time (breakfast, lunch and dinner) and the diner is opened in the early morning and closed at night, time stands still inside the Diner. The hour on the big clock on the wall never changes time and much like my memories of that place, everything remains the same.

http://www.amazon.com/Short-Stories-Small-William-Tuohy/dp/1517270456/ref=sr_1_1?s=books&ie=UTF8&qid=1444164878&sr=1-1&keywords=short+stories+from+a+small+town


The Valley Lives
By Marion Marchetto, author of The Bridgewater Chronicles on October 15, 2015
Short Stores from a Small Town is set in The Valley (known to outsiders as The Lower Naugatuck Valley) in Connecticut. While the short stories are contemporary they provide insight into the timeless qualities of an Industrial Era community and the values and morals of the people who live there. Some are first or second generation Americans, some are transplants, yet each takes on the mantle of Valleyite and wears it proudly. It isn't easy for an author to take the reader on a journey down memory lane and involve the reader in the life stories of a group of seemingly unrelated characters. I say seemingly because by book's end the reader will realize that he/she has done more than meet a group of loosely related characters.
We meet all of the characters during a one-day time period as each of them finds their way to the Valley Diner on a rainy autumn day. From our first meeting with Angel, the educationally challenged man who opens and closes the diner, to our farewell for the day to the young waitress whose smile hides her despair we meet a cross section of the Valley population. Rich, poor, ambitious, and not so ambitious, each life proves that there is more to it beneath the surface. And the one thing that binds these lives together is The Valley itself. Not so much a place (or a memory) but an almost palpable living thing that becomes a part of its inhabitants.
Let me be the first the congratulate author John William Tuohy on a job well done. He has evoked the heart of The Valley and in doing so brought to life the fabric that Valleyites wear as a mantle of pride. While set in a specific region of the country, the stories that unfold within the pages of this slim volume are similar to those that live in many a small town from coast to coast.

By Sandra Mendyk
Just read "Short Stories from a Small Town," and couldn't put it down! Like Mr. Tuohy's other books I read, they keep your interest, especially if you're from a small town and can relate to the lives of the people he writes about. I recommend this book for anyone interested in human interest stories. His characters all have a central place where the stories take place--a diner--and come from different walks of life and wrestle with different problems of everyday life. Enjoyable and thoughtful.

I loved how the author wrote about "his people"
By kathee
A touching thoughtful book. I loved how the author wrote about "his people", the people he knew as a child from his town. It is based on sets of time in the local diner, breakfast , lunch and dinner, but time stands still ... Highly recommend !

WONDERFUL book, I loved it!
By John M. Cribbins
What wonderful stories...I just loved this book.... It is great how it is written following, breakfast, lunch, dinner, at a diner. Great characters.... I just loved it....




The US could call off the Saudis with a snap of our fingers…so why don’t we do it? We’re the Americans, we’re the good guys, if we don’t do this, no one else will.


Jailed Saudi blogger Raif Badawi on hunger strike
Wife of dissident, sentenced to 10 years and 1,000 lashes for insulting Islam, says protest sparked by move to isolated prison
Imprisoned Saudi blogger Raif Badawi has been on a hunger strike since Tuesday after being transferred to a new, isolated prison, according to his wife, Ensaf Haidar.
Haidar, who lives in Canada where she and their three children were granted political asylum, confirmed the news by phone after tweeting it.
Colette Lelièvre, a Montreal-based campaign organiser with Amnesty International, said on Thursday the group had been told Badawi was transferred to a different prison for “administrative reasons”. Amnesty had not yet independently confirmed he had started a hunger strike.
Badawi, who created and managed an online forum, was found guilty in 2014 of breaking Saudi Arabia’s technology laws and for insulting Islam. He was sentenced to 10 years in prison and 1,000 lashes.
Badawi received the first 50 lashes of his sentence in January, prompting strong criticism in Western countries of the kingdom’s human rights record.
“I call on his majesty King Salman to pardon my husband,” Haidar tweeted earlier in the day. “Please unite my children with their father.”

Lelièvre said Haidar would travel to France to accept the Sakharov prize on behalf of her husband during a ceremony in Strasbourg on 16 December. The prize, awarded by the European parliament, honours freedom of thought. 







I carry your heart with me (I carry it in my heart)I am never without it
(anywhere I go you go, my dear; and whatever is done by only me is your doing, my darling)
I fear no fate (for you are my fate, my sweet)I want no world (for beautiful you are my world, my true)
and it’s you are whatever a moon has always meant and whatever a sun will always sing is you
here is the deepest secret nobody knows
(here is the root of the root and the bud of the bud and the sky of the sky of a tree called life; which grows
higher than the soul can hope or mind can hide)
and this is the wonder that’s keeping the stars apart
I carry your heart (I carry it in my heart)

E.E. Cummings







Latin Word of the Day
Rex: king
Example sentence:  Agamemnon, rex Graecorum, copias ad Troiam duxit.

Sentence meaning: Agamemnon, king of the Greeks, led his forces to Troy.



The art and joy of cinematography

Scarface 1984






I'm a big big Fan of  Bukowski 




People are strange: They are constantly angered by trivial things, but on a major matter like totally wasting their lives, they hardly seem to notice. Charles Bukowski


New Evidence Suggests C.S. Lewis Was a Secret Agent
TROY ANDERSON

Long before James Bond, the popular Christian apologist C.S. Lewis undertook a wartime mission for MI6 to help the British defeat the Nazis during World War II, a professor at Union University in Tennessee says.
During the war, Lewis undertook a secret mission for the British spy agency to record a message to "win the hearts of the Icelandic people" prior to a surprise invasion of Iceland.
"In the Battle of the Atlantic, Iceland could have provided Germany with a strategic naval and air base," wrote Hal Poe, the Charles Colson professor of Faith and Culture at Union University, in an article in Christianity Today. "Instead, thanks to the British invasion, Iceland provided the ideal base for seaplanes to search for the German naval vessels that prowled the Atlantic sinking the merchant fleet with its crucial supplies."
As it turns out, the best-selling author of Mere Christianity, The Chronicles of Narniaand The Screwtape Letters was recruited by MI6's Joint Broadcasting Committee to broadcast to people in occupied territory during the war, Poe wrote.
"Perhaps one of his former pupils at Oxford recommended him for his mission," Poe wrote. "It was an unusual mission for which few people were suited. J.R.R. Tolkien had the knowledge base for the job, even beyond that of Lewis, but Tolkien lacked other skills that Lewis possessed. ... In the 1930s, Lewis was the best show in town. Somehow Lewis had developed the skill to speak to an audience and hold them in rapt attention, in spite of his academic training rather than because of it."
At the time, those working for the Joint Broadcasting Committee were a "fledgling group of amateurs desperately working to save their island home from disaster," Poe wrote.
"The Joint Broadcasting Committee recruited C. S. Lewis to record a message to the people of Iceland to be broadcast by radio within Iceland," Poe wrote. "Lewis made no record of his assignment, nor does he appear to have mentioned it to anyone. Without disclosing his involvement with military intelligence, however, Lewis did make an indiscreet disclosure to his friend Arthur Greeves in a letter dated May 25, 1941. Lewis remarked that three weeks earlier he had made a gramophone record which he heard played afterwards."
During the broadcast, Lewis spoke on "The Norse Spirit in English Literature," providing a "touchstone between the Norse people and the English."
In a blog entry titled, "Holy Screwtape! Young C.S. Lewis secretly worked with MI6," Terry Mattingly wrote he has an entire room in his house dedicated to the Oxford don's books, but was completely surprised by Poe's "news scoop."

"It argues that, while no one is claiming Lewis ever ran around with a gun and a decoder ring, the young Oxford don appears to have done some work for MI6, as in Her Majesty's Secret Service," Mattingly wrote. "Yes, you read that right. This kind of adds a new layer of meaning to discussions of an 'Inner Ring' and talk about devilish high-ranking agents working with case officers to snare souls." 

ROGER TOUHY, THE LAST GANGSTER

Editorial Reviews
From Publishers Weekly
JFK's pardons and the mob; Prohibition, Chicago's crime cadres and the staged kidnapping of "`Jake the Barber'" Factor, "the black sheep brother of the cosmetics king, Max Factor"; lifetime sentences, attempted jail busts and the perseverance of "a rumpled private detective and an eccentric lawyer" John W. Tuohy showcases all these and more sensational and shady happenings in When Capone's Mob Murdered Roger Touhy: The Strange Case of Touhy, Jake the Barber and the Kidnapping that Never Happened. The author started investigating Touhy's 1959 murder by Capone's gang in 1975 for an undergrad assignment. He traces the frame-job whereby Touhy was accused of the kidnapping, his decades in jail, his memoirs, his retrial and release and, finally, his murder, 28 days after regaining his freedom. Sixteen pages of photos.

From Library Journal
Roger Touhy, one of the "terrible Touhys" and leader of a bootlegging racket that challenged Capone's mob in Prohibition Chicago, had a lot to answer for, but the crime that put him behind bars was, ironically, one he didn't commit: the alleged kidnapping of Jake Factor, half-brother of Max Factor and international swindler. Author Tuohy (apparently no relation), a former staff investigator for the National Center for the Study of Organized Crime, briefly traces the history of the Touhys and the Capone mob, then describes Factor's plan to have himself kidnapped, putting Touhy behind bars and keeping himself from being deported. This miscarriage of justice lasted 17 years and ended in Touhy's parole and murder by the Capone mob 28 days later. Factor was never deported. The author spent 26 years researching this story, and he can't bear to waste a word of it. Though slim, the book still seems padded, with irrelevant detail muddying the main story. Touhy is a hard man to feel sorry for, but the author does his best. Sure to be popular in the Chicago area and with the many fans of mob history, this is suitable for larger public libraries and regional collections. Deirdre Bray Root, Middletown P.L., OH

BOOK REVIEW
     John William Tuohy, one of the most prolific crime writers in America, has penned a tragic, but fascinating story of Roger Touhy and John Factor. It's a tale born out of poverty and violence, a story of ambition gone wrong and deception on an enormous, almost unfathomable, scale. However, this is also a story of triumph of determination to survive, of a lifelong struggle for dignity and redemption of the spirit.
     The story starts with John "Jake the Barber" Factor. The product of the turn of the century European ethnic slums of Chicago's west side, Jake's brother, Max Factor, would go on to create an international cosmetic empire.
     In 1926, Factor, grubstaked in a partnership with the great New York criminal genius, Arnold Rothstien, and Chicago's Al Capone, John Factor set up a stock scam in England that fleeced thousands of investors, including members of the royal family, out of $8 million dollars, an incredible sum of money in 1926.
     After the scam fell apart, Factor fled to France, where he formed another syndicate of con artists, who broke the bank at Monte Carlo by rigging the tables.
     Eventually, Factor fled to the safety of Capone's Chicago but the highest powers in the Empire demanded his arrest. However, Factor fought extradition all the way to the United States Supreme Court, but he had a weak case and deportation was inevitable. Just 24 hours before the court was to decide his fate, Factor paid to have himself kidnapped and his case was postponed. He reappeared in Chicago several days later, and, at the syndicates' urging, accused gangster Roger Touhy of the kidnapping.
     Roger "The Terrible" Touhy was the youngest son of an honest Chicago cop. Although born in the Valley, a teeming Irish slum, the family moved to rural Des Plains, Illinois while Roger was still a boy. Touhy's five older brothers stayed behind in the valley and soon flew under the leadership of "Terrible Tommy" O'Connor. By 1933, three of them would be shot dead in various disputes with the mob and one, Tommy, would lose the use of his legs by syndicate machine guns. Secure in the still rural suburbs of Cook County, Roger Touhy graduated as class valedictorian of his Catholic school. Afterwards, he briefly worked as an organizer for the Telegraph and Telecommunications Workers Union after being blacklisted by Western Union for his minor pro-labor activities.
     Touhy entered the Navy in the first world war and served two years, teaching Morse code to Officers at Harvard University.
     After the war, he rode the rails out west where he earned a living as a railroad telegraph operator and eventually made a small but respectable fortune as an oil well speculator.
     Returning to Chicago in 1924, Touhy married his childhood sweetheart, regrouped with his brothers and formed a partnership with a corrupt ward heeler named Matt Kolb, and, in 1925, he started a suburban bootlegging and slot machine operation in northwestern Cook County. Left out of the endless beer wars that plagued the gangs inside Chicago, Touhy's operation flourished. By 1926, his slot machine operations alone grossed over $1,000,000.00 a year, at a time when a gallon of gas cost eight cents.
     They were unusual gangsters. When the Klu Klux Klan, then at the height of its power, threatened the life of a priest who had befriended the gang, Tommy Touhy, Roger's older brother, the real "Terrible Touhy," broke into the Klan's national headquarters, stole its membership roles, and, despite an offer of $25,000 to return them, delivered the list to the priest who published the names in several Catholic newspapers the following day.
     Once, Touhy unthinkingly released several thousand gallons of putrid sour mash in to the Des Plains River one day before the city was to reenact its discovery by canoe-riding Jesuits a hundred years before. After a dressing down by the towns people Touhy spent $10,000.00 on perfume and doused the river with it, saving the day.
     They were inventive too. When the Chicago police levied a 50% protection tax on Touhy's beer, Touhy bought a fleet of Esso gasoline delivery trucks, kept the Esso logo on the vehicles, and delivered his booze to his speakeasies that way.
     In 1930, when Capone invaded the labor rackets, the union bosses, mostly Irish and completely corrupt, turned to the Touhy organization for protection. The intermittent gun battles between the Touhys and the Capone mob over control of beer routes which had been fought on the empty, back roads of rural Cook County, was now brought into the city where street battles extracted an awesome toll on both sides. The Chicago Tribune estimated the casualties to be one hundred dead in less then 12 months.
     By the winter of 1933, remarkably, Touhy was winning the war in large part because joining him in the struggle against the mob was Chicago's very corrupt, newly elected mayor Anthony "Ten percent Tony" Cermak, who was as much a gangster as he was an elected official.
     Cermak threw the entire weight of his office and the whole Chicago police force behind Touhy's forces. Eventually, two of Cermak's police bodyguards arrested Frank Nitti, the syndicate's boss, and, for a price, shot him six times. Nitti lived. As a result, two months later Nitti's gunmen caught up with Cermak at a political rally in Florida.
     Using previously overlooked Secret Service reports, this book proves, for the first time, that the mob stalked Cermak and used a hardened felon to kill him. The true story behind the mob's 1933 murder of Anton Cermak, will changes histories understanding of organized crimes forever. The fascinating thing about this killing is its eerie similarity to the Kennedy assassination in Dallas thirty years later, made even more macabre by the fact that several of the names associated with the Cermak killing were later aligned with the Kennedy killing.
     For many decades, it was whispered that the mob had executed Cermak for his role in the Touhy-syndicate war of 1931-33, but there was never proof. The official story is that a loner named Giuseppe Zangara, an out-of-work, Sicilian born drifter with communist leanings, traveled to Florida in the winter of 1933 and fired several shots at President Franklin Roosevelt. He missed the President, but killed Chicago's Mayor Anton Cermak instead. However, using long lost documents, Tuohy is able to prove that Zangara was a convicted felon with long ties to mob Mafia and that he very much intended to murder Anton Cermak.
     With Cermak dead, Touhy was on his own against the mob. At the same time, the United States Postal Service was closing in on his gang for pulling off the largest mail heists in US history at that time. The cash was used to fund Touhy's war with the Capones.Then in June of 1933, John Factor en he reappeared, Factor accused Roger Touhy of kidnapping him. After two sensational trials, Touhy was convicted of kidnapping John Factor and sentenced to 99 years in prison and Factor, after a series of complicated legal maneuvers, and using the mob's influence, was allowed to remain in the United States as a witness for the prosecution, however, he was still a wanted felon in England.
     By 1942 Roger Touhy had been in prison for nine years, his once vast fortune was gone. Roger's family was gone as well. At his request, his wife Clara had moved to Florida with their two sons in 1934. However, with the help of Touhy's remaining sister, the family retained a rumpled private detective, actually a down-and-out, a very shady and disbarred mob lawyer named Morrie Green.
     Disheveled of not, Green was a highly competent investigator and was able to piece together and prove the conspiracy that landed Touhy in jail. However, no court would hear the case, and by the fall of 1942, Touhy had exhausted every legal avenue open to him.Desperate, Touhy hatched a daring daylight breakout over the thirty foot walls of Stateville prison.The sensational escape ended three months later in a dramatic and bloody shootout between the convicts and the FBI, led by J. Edgar Hoover.
     Less then three months after Touhy was captured, Fox Studios hired producer Brian Foy to churn out a mob financed docudrama film on the escape entitled, "Roger Touhy, The Last Gangster." The executive producer on the film was Johnny Roselli, the hood who later introduced Judy Campbell to Frank Sinatra. Touhy sued Fox and eventually won his case and the film was withdrawn from circulation. In 1962, Columbia pictures and John Houston tried to produce a remake of the film, but were scared off the project.
     While Touhy was on the run from prison, John Factor was convicted for m ail fraud and was sentenced and served ten years at hard labor. Factor's take from the scam was $10,000,000.00 in cash.
     Released in 1949, Factor took control of the Stardust Hotel Casino in 1955, then the largest operation on the Vegas strip. The casino's true owners, of course, were Chicago mob bosses Paul Ricca, Tony Accardo, Murray Humpreys and Sam Giancana. From 1955 to 1963, the length of Factor's tenure at the casino, the US Justice Department estimated that the Chicago outfit skimmed between forty-eight to 200 million dollars from the Stardust alone.
     In 1956, while Factor and the outfit were growing rich off the Stardust, Roger Touhy hired a quirky, high strung, but highly effective lawyer named Robert B. Johnstone to take his case. A brilliant legal tactician, who worked incessantly on Touhy's freedom, Robert Johnstone managed to get Touhy's case heard before federal judge John P. Barnes, a refined magistrate filled with his own eccentricities. After two years of hearings, Barnes released a 1,500-page decision on Touhy's case, finding that Touhy was railroaded to prison in a conspiracy between the mob and the state attorney's office and that John Factor had kidnapped himself as a means to avoid extradition to England.
     Released from prison in 1959, Touhy wrote his life story "The Stolen Years" with legendary Chicago crime reporter, Ray Brennan. It was Brennan, as a young cub reporter, who broke the story of John Dillenger's sensational escape from Crown Point prison, supposedly with a bar of soap whittled to look like a pistol. It was also Brennan who brought about the end of Roger Touhy's mortal enemy, "Tubbo" Gilbert, the mob owned chief investigator for the Cook County state attorney's office, and who designed the frame-up that placed Touhy behind bars.
     Factor entered a suit against Roger Touhy, his book publishers and Ray Brennan, claiming it damaged his reputation as a "leading citizen of Nevada and a philanthropist."
     The teamsters, Factor's partners in the Stardust Casino, refused to ship the book and Chicago's bookstore owners were warned by Tony Accardo, in person, not to carry the book.
     Touhy and Johnstone fought back by drawing up the papers to enter a $300,000,000 lawsuit against John Factor, mob leaders Paul Ricca, Tony Accardo and Murray Humpreys as well as former Cook County state attorney Thomas Courtney and Tubbo Gilbert, his chief investigator, for wrongful imprisonment.
     The mob couldn't allow the suit to reach court, and considering Touhy's determination, Ray Brennan's nose for a good story and Bob Johnstone's legal talents, there was no doubt the case would make it to court. If the case went to court, John Factor, the outfit's figurehead at the lucrative Stardust Casino, could easily be tied in to illegal teamster loans. At the same time, the McClellan committee was looking into the ties between the teamsters, Las Vegas and organized crime and the raid at the mob conclave in New York state had awakened the FBI and brought them into the fight. So, Touhy's lawsuit was, in effect, his death sentence.
     Twenty-five days after his release from twenty-five years in prison, Roger Touhy was gunned down on a frigid December night on his sister's front door.
     Two years after Touhy's murder, in 1962, Attorney General Robert Kennedy ordered his Justice Department to look into the highly suspect dealings of the Stardust Casino. Factor was still the owner on record, but had sold his interest in the casino portion of the hotel for a mere 7 million dollars. Then, in December of that year, the INS, working with the FBI on Bobby Kennedy's orders, informed Jake Factor that he was to be deported from the United States before the end of the month. Factor would be returned to England where he was still a wanted felon as a result of his 1928 stock scam. Just 48 hours before the deportation, Factor, John Kennedy's largest single personal political contributor, was granted a full and complete Presidential pardon which allowed him to stay in the United States.
     The story hints that Factor was more then probably an informant for the Internal Revenue Service, it also investigates the murky world of Presidential pardons, the last imperial power of the Executive branch. It's a sordid tale of abuse of privilege, the mob's best friend and perhaps it is time the American people reconsider the entire notion.
     The mob wasn't finished with Factor. Right after his pardon, Factor was involved in a vague, questionable financial plot to try and bail teamster boss Jimmy Hoffa out of his seemingly endless financial problems in Florida real estate. He was also involved with a questionable stock transaction with mobster Murray Humpreys. Factor spent the remaining twenty years of his life as a benefactor to California's Black ghettos. He tried, truly, to make amends for all of the suffering he had caused in his life. He spent millions of dollars building churches, gyms, parks and low cost housing in the poverty stricken ghettos. When he died, three United States Senators, the Mayor of Los Angles and several hundred poor Black waited in the rain to pay their last respects at Jake the Barber's funeral.

Interesting Information on A Little Known Case
By Bill Emblom
Author John Tuohy, who has a similar spelling of the last name to his subject Roger, but apparently no relation, has provided us with an interesting story of northwest Chicago beer baron Roger Touhy who was in competition with Al Capone during Capone's heyday. Touhy appeared to be winning the battle since Mayor Anton Cermak was deporting a number of Capone's cronies. However, the mob hit, according to the author, on Mayor Cermak in Miami, Florida, by Giuseppe Zangara following a speech by President-elect Roosevelt, put an end to the harrassment of Capone's cronies. The author details the staged "kidnapping" of Jake "the Barber" Factor who did this to avoid being deported to England and facing a prison sentence there for stock swindling, with Touhy having his rights violated and sent to prison for 25 years for the kidnapping that never happened. Factor and other Chicago mobsters were making a lot of money with the Stardust Casino in Las Vegas when they got word that Touhy was to be parolled and planned to write his life story. The mob, not wanting this, decided Touhy had to be eliminated. Touhy was murdered by hit men in 1959, 28 days after gaining his freedom. Jake Factor had also spent time in prison in the United States for a whiskey swindle involving 300 victims in 12 states. Two days before Factor was to be deported to England to face prison for the stock swindle President Kennedy granted Factor a full Presidential Pardon after Factor's contribution to the Bay of Pigs fund. President Kennedy, the author notes, issued 472 pardons (about half questionable) more than any president before or since.
There are a number of books on Capone and the Chicago mob. This book takes a look at an overlooked beer baron from that time period, Roger Touhy. It is a very worthwhile read and one that will hold your interest.

GREAT BOOK FROM CHICAGO AND ERA WAS MY DAD'S,TRUE TO STORY
Very good book. Hard to put down
Bymistakesweremadeon
Eight long years locked up for a kidnapping that was in fact a hoax, in autumn 1942, Roger Touhy & his gang of cons busted out of Stateville, the infamous "roundhouse" prison, southwest of Chicago Illinois. On the lam 2 months he was, when J Edgar & his agents sniffed him out in a run down 6-flat tenement on the city's far north lakefront. "Terrible Roger" had celebrated Christmas morning on the outside - just like all square Johns & Janes - but by New Year's Eve, was back in the bighouse.
Touhy's arrest hideout holds special interest to me because I grew up less than a mile away from it. Though I never knew so til 1975 when his bio was included in hard-boiled crime chronicler Jay Robert Nash's, Badmen & Bloodletters, a phone book sized encyclopedia of crooks & killers. Touhy's hard scrabble charisma stood out among 200 years' worth of sociopathic Americana Nash had alphabetized, and gotten a pulphouse publisher to print up for him.
I read Nash's outlaw dictionary as a teen, and found Touhy's Prohibition era David vs Goliath battles with ultimate gangster kingpin, Al Capone quite alluring, in an anti-hero sorta way. Years later I learned Touhy had written a memoir, and reading his The Stolen Years only reinforced my image of an underdog speakeasy beer baron - slash suburban family man - outwitting the stone cold killer who masterminded the St. Valentine's Day Massacre.
Like most autobiographies tho, Touhy's book painted him the good guy. Just an everyday gent caught up in events, and he sold his story well. Had I been a saloonkeeper back then I could picture myself buying his sales pitch - and liking the guy too. I sure bought into his tale, which in hindsight criminal scribe Nash had too, because both writers portray Touhy - though admittedly a crook - as never "really" hurting anybody. Only doing what any down-to-earth bootlegger running a million dollar/year criminal enterprise would have.

What Capone's Mob Murdered Roger Touhy author John Tuohy does tho is, provide a more objective version of events, balancing out Touhy's white wash ... 'er ... make that subjectively ... remembered telling of his life & times. Author Tuohy's account of gangster Touhy's account forced me - grown up now - to re-account for my own original take on the story.
As a kid back then, Touhy seemed almost a Robin Hood- ish hood - if you'll pardon a very lame pun. Forty years on tho re-considering the evidence, I think a persuasive - if not iron-clad convincing - case can be made for his conviction in the kidnapping of swindler scumbag Jake the Barber Factor. At least as far as conspiracy to do so goes, anyways. (Please excuse the crude redundancy there but Factor's stench truly was that of the dog s*** one steps in on those unfortunate occasions one does.)
Touhy's memoir painted himself as almost an innocent bystander at his own life's events. But he was a very smart & savvy guy - no dummy by a long shot. And I kinda do believe now, to not have known his own henchmen were in on Factor's ploy to stave off deportation and imprisonment, Touhy would have had to be as naive a Prohibition crime boss - and make no mistake he was one - as I was as a teenage kid reading Nash's thug-opedia,
On the other hand, the guy was the father of two sons and it's repulsive to consider he would have taken part in loathsomeness the crime of kidnapping was - even if the abducted victim was an adult and as repulsively loathsome as widows & orphans conman, Jake Factor.
This book's target audience is crime buffs no doubt, but it's an interesting read just the same; and includes anecdotes and insights I had not known of before. Unfortunately too, one that knocks a hero of mine down a peg or two - or more like ten.
Circa 1960, President Kennedy pardoned Jake the Barber, a fact that reading of almost made me puke. Then again JFK and the Chicago Mob did make for some strange bedfellowery every now & again. I'll always admire WWII US Navy commander Kennedy's astonishing (word chosen carefully) bravery following his PT boat's sinking, but him signing that document - effectively wiping Factor's s*** stain clean - as payback for campaign contributions Factor made to him, was REALLY nauseating to read.
Come to think of it tho, the terms "criminal douchedog" & "any political candidate" are pretty much interchangeable.
Anyways tho ... rest in peace Rog, & I raise a toast - of virtual bootleg ale - in your honor: "Turns out you weren't the hard-luck mug I'd thought you were, but what the hell, at least you had style." And guts to meet your inevitable end with more grace than a gangster should.
Post Note: Author Tuohy's re-examination of the evidence in the Roger Touhy case does include some heroes - guys & women - who attempted to find the truth of what did happen. Reading about people like that IS rewarding. They showed true courage - and decency - in a world reeking of corruption & deceit. So, here's to the lawyer who took on a lost cause; the private detective who dug up buried facts; and most of all, Touhy's wife & sister who stood by his side all those years.

Crime don't pay, kids
Very good organized crime book. A rather obscure gangster story which makes it fresh to read. I do not like these minimum word requirements for a review. (There, I have met my minimum)

Chicago Gangster History At It's Best
ByJ. CROSBYon
As a 4th generation Chicagoan, I just loved this book. Growing up in the 1950's and 60's I heard the name "Terrible Touhy's" mentioned many times. Roger was thought of as a great man, and seems to have been held in high esteem among the old timer Chicagoans.

That said, I thought this book to be nothing but interesting and well written. (It inspired me to find a copy of Roger's "Stolen Years" bio.) I do recommend this book to other folks interested in prohibition/depression era Chicago crime research. It is a must have for your library of Gangsters literature from that era. Chock full of information and the reader is transported back in time.
I'd like to know just what is "The Valley" area today in Chicago. I still live in the Windy City and would like to see if anything remains from the early days of the 20th century.
A good writer and a good book! I will buy some more of Mr. Tuohy's work.

Great story, great read
ByBookreaderon
A complex tale of gangsters, political kickback, mob wars and corrupt politicians told with wit and humor at a good pace. Highly recommend this book.

One of the best books I've read in a long time....
If you're into mafioso, read this! I loved it. Bought a copy for my brother to read for his birthday--good stuff.



CYBERDATE
An award winning full length play.

"Cyberdate.Com is the story of six ordinary people in search of romance, friendship and love and find it in very extraordinary ways. Based on the real life experiences of the authors misadventures with on line dating, Cyber date is a bittersweet story that will make you laugh, cry and want to fall in love again."   Ellis McKay  

Cyberdate.Com, was chosen for a public at the Actors Chapel in Manhattan in February of 2007 as part of the groups Reading Series for New York project. In June of 2008, the play won the Virginia Theater of The First Amendment Award for best new play. The play was also given a full reading at The Frederick Playhouse in Maryland in March of 2007.



GUNS AND GLAMOUR


Capone. Torrio. Ricca. Giancana and Accardo. The giant legends of organized crime that led the largest, wealthiest, most powerful, and near completely documented organized crime syndicate in the world. At the height of its power, the Chicago mobs influence extended from Lake Shore Drive to the beaches of Havana, the neon lights of Vegas and the heroin drenched back alleys of Hanoi. The years 1900 through 1959 are largely considered the Golden Age for the Chicago mob. The end came with the accession of Sam “Momo” Giancana to the criminal throne that Big Jim Colosimo had founded. Flashy, arrogant and dangerous, Giancana’s rise to the leadership of the Chicago Mob was paralleled by the federal government’s assault on organized crime. By 1980, the Chicago mob has lost control of the organized labor on a national basis and given up Las Vegas Las Vegas. Virtually every significant Mafia Boss in the country was in jail or under indictment and Sam Giancana was shot dead by his own men. The so-called Golden Age of Chicago Mob had ended. Between 1900 and 1959, fifty-nine years, only seven Bosses led the Chicago Mob. Between 1963 and 2000, thirty-seven years, there were more than nine Bosses in rapid succession. All except one of them…the indomitable Tony Accardo…died in jail or under federal and state indictment. While the Chicago Mob still wields considerable criminal, financial, and political influence, it is a mere shadow of what it once was. With increased pressure from far reaching RICO laws, the constant surveillance of a well-informed and effective federal organized crime task force and increased competition from equally ruthless and ambitious new ethnic mobs, there is little chance it will ever reemerge as the awesome power it once was.

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Amazon review: I heard a lot about Chicago mafia and I think it very interesting theme and I read few books but those books were so hard to read (!): small font, a lot of slangs, hard spelling words! But John Tuohy's book not like that!!! It's easy to read(and I'm not saying it written poor or anything), what I mean is for the person who doesn't know much about the mafia world this book is really helps to understand all the details, I would say to see the whole picture!!! This book is really interesting and helpful!
It also has a lot of photographs which makes the book even better!
I wish there would be more writers like John Tuohy who makes the books more interesting and cognitive!

Amazon review: Mr. Tuohy, has out done himself with this prized piece of literary work! Since I'm a Chicagoan, born and raised for 40 years, some of them on the very same streets where some of the Outfit's associates and higher-ups lived, and after the first few pages I'm hooked. His writing style to me is very easy to digest, and his photos are spectacular, either due to it's rarity or the person being photo, alot of these Outfit bosses/hitman didn't like to be photographed, and believe me, they made sure that you knew it. To take the Chicago Outfit and write about the ups and downs the Organization went through during this 100 year time frame is an amazing feat. You get some real good stories, written without an agenda, just to get the information out to the public. A brilliant topic which was handled with care and dignity by Mr.Tuohy, as I'm finding out is the case in ALL OF HIS BOOKS, be they organized crime or based on something else. Get if a try, you'll end up buying more than the one book, betcha you can't read just one!!!
An interesting book about the history of the Chicago mob. It highlights the legends of the Chicago mob in the 1900s. Any fan of the Chicago mob should add this to their collection.


The Mob and the Kennedy Assassination: Jack Ruby. Testimony by Mobsters Lewis McWillie, Joseph Campisi and Irwin Weiner (The Mob Files) Kindle Edition
From the Inside Flap


The United States House of Representatives Select Committee on Assassinations (HSCA) was established in 1976 to investigate the assassinations of John F. Kennedy and Martin Luther King, Jr. and the shooting of Alabama Governor George Wallace. The Committee investigated until 1978 and issued its final report, and ruled that Kennedy was very likely assassinated as a result of a conspiracy. However, the Committee noted that it believed that the conspiracy did not include the governments of the Soviet Union or Cuba.

 The Committee also stated it did not believe the conspiracy was organized by any organized crime group, nor any anti-Castro group, but that it could not rule out individual members of any of those groups acting together.

The House Select Committee on Assassinations suffered from being conducted mostly in secret, and then issued a public report with much of its evidence sealed for 50 years under Congressional rules.

In 1992, Congress passed legislation to collect and open up all the evidence relating to Kennedy's death, and created the Assassination Records Review Board to further that goal.

General conclusions

In particular, the various investigations performed by the U.S. government were faulted for insufficient consideration of the possibility of a conspiracy in each case. The Committee in its report also made recommendations for legislative and administrative improvements, including making some assassinations Federal crimes.

The Chief Counsel of the Committee later changed his views that the CIA was being cooperative and forthcoming with the investigation when he learned that the CIA's special liaison to the Committee researchers, George Joannides, was actually involved with some of the organizations that Lee Harvey Oswald was involved with in the months leading up to the assassination, including an anti-Castro group, the DRE, which was linked to the CIA, where the liaison, Joannides, worked in 1963.

 Chief Counsel Blakey later stated that Joannides, instead, should have been interviewed by the Committee, rather than serving as a gatekeeper to the CIA's evidence and files regarding the assassination. He further disregarded and suspected all the CIA's statements and representations to the Committee, accusing it of obstruction of justice.

Conclusions regarding the Kennedy assassination

The HSCA concluded in its 1979 report that:

 1.Lee Harvey Oswald fired three shots at Kennedy. The second and third shots he fired struck the President. The third shot Oswald fired successfully killed the President.

 2.Scientific acoustical evidence establishes a high probability that at least two gunmen fired at the President. Other scientific evidence does not preclude the possibility of two gunmen firing at the President. Scientific evidence negates some specific conspiracy allegations.

 3.The committee believes, on the basis of the evidence available to it, that the President John F. Kennedy was probably assassinated as a result of a conspiracy. The committee was unable to identify the other gunmen or the extent of the conspiracy. The committee believes, on the basis of the evidence available to it, that the Soviet Government was not involved in the assassination of President Kennedy.

The committee believes, on the basis of the evidence available to it, that the Cuban Government was not involved in the assassination of President Kennedy.

The committee believes, on the basis of the evidence available to it, that anti-Castro Cuban groups, as groups, were not involved in the assassination of President Kennedy, but that the available evidence does not preclude the possibility that individual members may have been involved.

The committee believes, on the basis of the evidence available to it, that the national syndicate of organized crime, as a group, was not involved in the assassination of President Kennedy, but that the available evidence does not preclude the possibility that individual members may have been involved.

 The committee believes, on the basis of the evidence available to it, that the Secret Service, Federal Bureau of Investigation, and Central Intelligence Agency were not involved in the assassination of President Kennedy.

4. Agencies and departments of the U.S. Government performed with varying degrees of competency in the fulfilment of their duties. President John F. Kennedy did not receive adequate protection. A thorough and reliable investigation into the responsibility of Lee Harvey Oswald for the assassination was conducted. The investigation into the possibility of conspiracy in the assassination was inadequate. The conclusions of the investigations were arrived at in good faith, but presented in a fashion that was too definitive.

 
The Committee further concluded that it was probable that:

 Four shots were fired. The third shot came from a second assassin located on the grassy knoll, but missed. They concluded that it missed due to the lack of physical evidence of an actual bullet, of course this investigation took place almost sixteen years after the crime.

 The HSCA agreed with the single bullet theory, but concluded that it occurred at a time point during the assassination that differed from any of the several time points the Warren Commission theorized it occurred.

The Department of Justice, FBI, CIA, and the Warren Commission were all criticized for not revealing to the Warren Commission information available in 1964, and the Secret Service was deemed deficient in their protection of the President.

The HSCA made several accusations of deficiency against the FBI and CIA.

The accusations encompassed organizational failures, miscommunication, and a desire to keep certain parts of their operations secret. Furthermore, the Warren Commission expected these agencies to be forthcoming with any information that would aid their investigation. But the FBI and CIA only saw it as their duty to respond to specific requests for information from the commission. However, the HSCA found the FBI and CIA were deficient in performing even that limited role.

In 2003, Robert Blakey, staff director and chief counsel for the Committee, issued a statement on the Central Intelligence Agency:

...I no longer believe that we were able to conduct an appropriate investigation of the [Central Intelligence] Agency and its relationship to Oswald.... We now know that the Agency withheld from the Warren Commission the CIA-Mafia plots to kill Castro. Had the commission known of the plots, it would have followed a different path in its investigation. The Agency unilaterally deprived the commission of a chance to obtain the full truth, which will now never be known. Significantly, the Warren Commission's conclusion that the agencies of the government co-operated with it is, in retrospect, not the truth. We also now know that the Agency set up a process that could only have been designed to frustrate the ability of the committee in 1976-79 to obtain any information that might adversely affect the Agency. Many have told me that the culture of the Agency is one of prevarication and dissimulation and that you cannot trust it or its people. Period. End of story. I am now in that camp.


The Kefauver Organized Crime Hearings. Abridged.


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Amazon review: Senator Kefauver is a great person! The committee did a amazingly great job investigating organized crime in different cities, the same as the author did putting it all together in one book!!It was really interesting to read this record! I felt like I was there in a court room! Seriously, very impressive!

Amazon review: It's great that we have such a great historical document in print! Senator Kefauver and the committee investigate Organized Crime all over the country: Miami, NY, New Orleans, Philadelphia, Kansas city, etc. This record has many interviews with mafia leaders. Rare and great photographs! It's one of the best criminal books I ever read! I would highly recommend it to anyone!



The Connecticut Irish

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Amazon review: This book is not a history of the Irish in Connecticut so much as it is a history of people of Irish decent of the great State of Connecticut, but in that, it does a very good job reporting the facts and being wholly inclusive. It has presents dome very wonderful photographs and fives a brief but disturbing picture of the Anti-Irish movement in the New England states.


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Amazon review: "Shooting the Mob: Organized Crime in photos, Crime Boss Tony Accardo" was a welcomed addition to my book collection. For one thing, not much is written about ,"the Big Tuna", Tony Accardo; the Chicago Outfit's "man of many talents", let alone any photos. This book gives the reader a chance to gain some knowledge on the amazing Outfit boss/consigliere, that might not otherwise be available.
For me, it was a must for my collection; not to give too much away, but there are photos and personal information about the life and times of Anthony "JB" Accardo; from his days hanging around the "Circus Cafe" with "Tough" Tony Capezio, John "Screwey" Moore and "Machine Gun" Jack McGurn, to catching "the Big Guy's",attention, "Snorky" who then had him sitting in the lobby of his hotels with a Thompson Sub-Machine Gun on guard duty!
Things just kept getting better for the capable "Joe Batters"!!




Mob Testimony: Joe Pistone, Michael Scars DiLeonardo, Angelo Lonardo and others: The court testimony of FBI New York Undercover Agent Joe Pistone

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Amazon review: What I loved about this book is that even though its mostly testimony before government investigative inquires, you can sense the hood attitudes and their arrogance. This is the real mob talking about everyday life as a gangster. Good stuff

Amazon review: This is the story of gangland told in the federal testimony of the hoodlum who decided to talk about life in the underworld. Although some Chicago gangsters are included in the text and photos (Lots of photos here) the concentration is on the New York mob.


An Illustrated Chronological History of the Chicago Mob. Time Line. 1837-2000  

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Amazon review: Love the pictures in the book, some of them I've not seen before. This is a good outline for what one needs to know about the rise and fall of what was once a mighty underworld mob.

Amazon review: Pretty good outline in photos and text of the Chicago Outfit from start to what is basically its finish, the last year of the 20th century.



EMERSON


Amazon review: I purchased this book for my daughter who loves Emerson. The quotes are organized in categories and are easy to find and read. The book includes the most memorable quotes of Emerson and my daughter loves it.

Amazon review: This is really enjoyable to read and I like how it is done and you can look up all sorts of things. I have shared some of Emerson's quotes from this book on my website right from this book, giving him credit.

Amazon review: Made me hungry for more!!

Amazon review: It's a keeper!



The New England Mafia.


Amazon review: Good book about the New England mafia with some nice rare pictures

Amazon review: Coming from RI - The book was great

Amazon review: This held my interest, read it in two sittings, quite late at night. Most of the main characters were familiar to me, being a born and bred New Englander, got a kick out of some of the descriptions. A good easy read with lots of history and Mafia insight.



Mob Recipes to Die For. Meals and Mobsters in Photos Paperback – December 20, 2011
READERS REVIEWS FROM AMAZON BOOKS


Amazon review: This is a funny book, okay a little bloody in places but believe it or not, the recipes are actually pretty good and there are several good stories about mobsters and meals. The mob stories are mixed with authentic Italian recipes and other Outfit anecdotes and all of it makes for fun reading and actually some pretty good cooking.(Including the meat sauce recipe from the prison scene in "Gooodfellas") Most of the recipes are very simple fare, quick to make and include classic dishes like Shrimp Scampi, a simple Tomato Sauce, Veal Piccata, Asparagus with Prosciutto, Baked Stuffed Clams, Veal Chops Milanese, Caponata and Lobster. The book has about 50 something photos of dead mobsters followed by a recipe. The bloody scenes aside, this book would make compliment most cooking libraries and will works especially well for the novice cook.


Shooting the Mob: Organized Crime in Photos: The Saint Valentine's Day Massacre. Paperback – December 7, 2011
by Shadrach Bond

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Amazon review: A detailed photographic account of the murders that shocked the underworld, the St. Valentine's Day massacre. The author tells the story of what happened and how it happened on that fateful day for the Northside gang and demonstrates with photos. Good book.

Shooting the Mob: Organized Crime in Photographs. Dutch Schultz. Paperback – May 4, 2012

READERS REVIEWS FROM AMAZON BOOKS

Amazon review: Dutch Schultz continues to capture and fascinate and his story, including his last words, are detailed here with dozens of photographs from Schultz early days in crime until the bitter end.


Amazon review: Dutch Schultz (Arthur Flegenheimer) was the problem child of organized crime in New York City in the 1920s and 1930s who made his fortune in bootlegging alcohol and the numbers racket. The book gives a quick but accurate account of the Dutchman's rise and his battle in two tax evasions trials led by prosecutor Thomas Dewey. It covers his murder, probably on the orders of fellow mobster Lucky Luciano. In an effort to avert his conviction, Schultz asked the Commission for permission to kill Dewey, which they declined. After Schultz disobeyed the Commission and attempted to carry out the hit, they ordered his assassination in 1935. The book has a very fine series of photographs. Good reading at a fair price.

Shooting the mob. Organized crime in photos. Dead Mobsters, Gangsters and Hoods.
READERS REVIEWS FROM AMAZON BOOKS

Amazon review: This book covers the full gamut of gangsters with many excellent photos. The story accompanying each slain hoodlum varies from a few pages to one or two lines. The book suffers from atrocious editing of the text. Words are frequently mispelled or missing, sentences often end half way through only to resume as a new sentence and paragraphs sometimes end midsentence. There are also no sources for anything. If not for this, the book would have received five stars.

Amazon review: There is no shortage of corpses in this book. Its page after page of dead hoodlums from the underworld with a passage on how they got that way and by whom. Gory but I must say, fascinating as the violence of the underworld so often is. The book is a guilty pleasure.


The Salerno Report. The Mafia and the Murder of President John F. Kennedy: The report by Mafia expert Ralph Salerno Consultant to the Select Committee on Assassinations

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Amazon review: A must read for anyone studying the Kennedy assassination. Among the many conspiracy theories is the possible involvement of Mafia. As we all know there are no definite conclusions, and history may never resolve the issue, but this report is engaging and captive reading.

Amazon review: The Salerno Report is far more accurate than the Warren Report

Amazon review: Evidence mounted in a certain direction. The truth is still discoverable, and this ghastly event in our history deserves still more examination. This book contributes to the eventual revelation of what really happened.


Baby Boomers Guide to the Beatles Songs of the Sixties
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Amazon review: There are more intense books that go into supposed motivation and recording techniques and equipment, but this is a lovely work that illuminates the songs and the stories behind them without being overbearing in doing so. I really enjoyed it - bought several copies to give as gifts. Well done!



Rosenthal murder case
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"The old Metropole. The old Metropole," brooded Mr. Wolfshiem gloomily. "Filled with faces dead and gone. Filled with friends gone now forever. I can't forget so long as I live the night they shot Rosy Rosenthal there. It was six of us at the table, and Rosy had eat and drunk a lot all evening. When it was almost morning the waiter came up to him with a funny look and says somebody wants to speak to him
outside. 'all right,' says Rosy, and begins to get up, and I pulled him down in his chair. "'Let the bastards in here if they want you, Rosy, but don't you, so help me, move outside this room.' "It was four o'clock in the morning then, and if we'd of raised the blinds we'd of seen daylight."
"Did he go?" I asked innocently.
'Sure he went." Mr. Wolfshiem's nose flashed at me indignantly. "He turned around in the door and says: 'Don't let that waiter take away my coffee!' Then he went out on the sidewalk, and they shot him three times in his full belly and drove away."
"Four of them were electrocuted,"
I said, remembering. "Five, with Becker"
The Great Gatsby

Amazon review: The Becker-Rosenthal trial was a 1912 trial for the murder of Herman Rosenthal by Charles Becker and members of the Lenox Avenue Gang. The trial ran from October 7, 1912 to October 30, 1912 and restarted on May 2, 1914 to May 22, 1914. Other procedural events took place in 1915.
 In July 1912, Lieutenant Charles Becker was named in the New York World as one of three senior police officials involved in the case of Herman Rosenthal, a small time bookmaker who had complained to the press that his illegal casinos had been badly damaged by the greed of Becker and his associates. On July 16, two days after the story appeared, Rosenthal walked out of the Hotel Metropole at 147 West 43rd Street, just off Times Square. He was gunned down by a crew of Jewish gangsters from the Lower East Side, Manhattan. In the aftermath, Manhattan District Attorney Charles S. Whitman, who had made an appointment with Rosenthal before his death, made no secret of his belief that the gangsters had committed the murder at Charles Becker's behest.
 At first, John J. Reisler, also known as "John the barber," told the police that he'd seen "Bridgey" Webber running away from the crime scene directly following the killing. He recanted under duress from gangsters the next week, and was charged with perjury.
 The investigation was covered on the front page of the New York Times for months. It was so complex that the NYPD recalled thirty retired detectives to help investigate; they were said "to know most of the gangsters."
One of these old-timers, Detective Upton, formerly of the NYPD "Italian Squad," was instrumental in the July 25, 1912, arrest of "Dago" Frank Cirofici, one of the suspected killers. He and his companion, Regina Gorden (formerly known as "Rose Harris"), were "so stupefied by opium that they offered no objection to their arrests," according to the New York Times.


Joe Petrosino
READERS REVIEWS FROM AMAZON BOOKS

Review: Any book about Joe Petrosino can't be all bad. Far too little attention is paid to Petrosino these days. The foolish Public remembers names of scumbags like Capone, Gotti, Valachi, Tony Soprano, etc. Far too few people remember New York Cop Joe Petrosino. In a time when Italians were segregated, harassed by Cops and treated as second class citizens, Petrosino arose as the first Italian anti-gangster Cop. Then, as now, gangsters claimed they were the victims of prejudice, discrimination and profiling. Petrosino rose above his times to become a Pioneer in anti-Mafia police work. Tough as nails, un-corruptible, and utterly fearless, Petrosino was assassinated by the Mafia in their usual cowardly style.

Review: This book is a welcome bit of scholarship on the great Petrosino. Tuohy's book does contain an, apparent, misprint. There is a lone word, without authority, regarding Petrosino being "corrupt," perhaps a reference to his tough police tactics. Corruption, however, implies a personal power or profit motive. Tuohy provides no evidence or argument of any such motive or activity on Petrosino's part. On the contrary, the only evidence is that Petrosino was a good, honest Cop. Petrosino is a role model for young and old alike, oppressed immigrants,

Review: I have several books from The Mob Files Series and I have really enjoyed reading them. The Joe Petrosino story is definitely one worth reading. He had an interesting life working against the mafia. I enjoyed seeing the pictures in the book and they helped bring the story to life.




















MISH MOSH..........................................

Mish Mash: noun \ˈmish-ˌmash, -ˌmäsh\ A : hodgepodge, jumble The painting was just a mishmash of colors and abstract shapes as far as we could tell. Origin Middle English & Yiddish; Middle English mysse masche, perhaps reduplication of mash mash; Yiddish mish-mash, perhaps reduplication of mishn to mix. First Known Use: 15th century
A man standing atop a pile of American bison skulls which are waiting to be ground for fertilizer, mid 1870s





The Observation and Appreciation of Architecture








MUSIC FOR THE SOUL


Howlin' Wolf


AND NOW, A BEATLES BREAK 



DON'T YOU WANT TO SEE THE ENTIRE WORLD? 
I DO
Historic Centre of Warsaw by (PolandMFA)

Hradec Kralove, Czech Republic

Iglesia de Getaria, Basque Country, Spain



TODAY'S ALLEGED MOB GUY
Gregg Scarpa



In 1992, Scarpa took a bullet in the eye during a shootout. According to Jerry Capeci, Scarpa "drove himself home, poured himself a Scotch, and called the police." He lost the eye anyway. He also functioned as a top echelon FBI informer for 35 years. Scarpa regarded himself as a James Bond figure. Mission Impossible was a favorite television show.
In 1964, according to his on, the FBI brought him to Mississippi to help fond the bodies of three missing civil rights workers killed by the Ku Klux Klan. His son testified that when one of the Klansmen wouldn’t talk "He put the gun in the guy's mouth. `Where are the bodies? This is the last time. I'm going to blow your head off,'" The bodies were located shortly afterwards.
   During the Colombo wars he was credited with murdering at least rivals.  In the 1970s, a hood named Dominick Somma complained about problems that Scarpa’s son Greg Jr. had made during a bank job. Scarpa shot him dead. Years later he recalled the incident and said "I'd like to dig him up and shoot him again"
   In 1995, Scarpa befriended World Trade Center bombing mastermind Ramzi Yousef for the FBI while they were housed in a maximum security section of a Manhattan jail awaiting trial. Scarpa was there for his own protection, he beat up Lucchese Mafia boss Vic Amuso. At the FBI's suggestion, Scarpa acted belligerent and rebellious and eventually won Yousef's confidence.
    Scarpa contacted AIDs when an underlying offered his tainted blood when Scarpa was undergoing surgery. It eventually killed him. "If he'd lived 400 years ago, he would have been a pirate," his lawyer said.


DON’T WORRY-BE HAPPY

THE ART OF PULP










GOOD WORDS TO HAVE…………

    Objet trouvé  \AWB-zhay-troo-VAY\:A natural or discarded object found by chance and held to have aesthetic value. Objet trouvé comes from French, where it literally means "found object." The term entered English during the early 20th century, a time when many artists challenged traditional ideas about the nature of true art. Surrealists and other artists, for instance, held that any object could be a work of art if a person recognized its aesthetic merit. Objet trouvé can refer to naturally formed objects whose beauty is the result of natural forces as well as to man-made artifacts (such as bathtubs, wrecked cars, or scrap metal) that were not originally created as art but are displayed as such.


I LOVE BLACK AND WHITE PHOTOS FROM FILM

Versailles, 1970, Elliott Erwitt



HERE'S PLEASANT POEM FOR YOU TO ENJOY................


Some Details of Hebridean House Construction

By Thomas A. Clark

the walls are built with
unmortared boulders
the external faces having
an inward slope
the corners rounded
roofs are thatched with
straw, ferns or heather
and weighted with stones
hung from heather ropes
instead of overhanging
the roof is set back
on a broad wall-top
which in the course of time
becomes mantled with
grass and verdure
which may provide
occasional browsing
for a sheep or goat
back to the wind
face to the sun
is the general
orientation
the floor is of beaten earth
and the main room is reached
by way of the byre
there are no windows and
the frugal flame of the peat
gives the only illumination
smoke wanders and finds
egress by a hole in the roof
in the outer isles the floor is covered
with white sand from the machair
a few steps ascend
the wall near the door
to enable the roof
to be thatched or roped
or the family to sit
in the summer weather
and sew, chat or knit
by the peat store
near to the doorway
is placed a large stone

for the wanderer to sit on


HERE'S SOME NICE ART FOR YOU TO LOOK AT....ENJOY!

Houses at the Foot of a Cliff, Edgar Degas

The Dukha 
 The Dukha are a Tuvan-Turkic tribe that lives on the border of Mongolia and Russia, and they are best known as reindeer herders. The children of the tribe are raised surrounded by reindeer, and they build a close connection. The Dukha do not typically eat the reindeer unless the animals are no longer capable of helping them hunt or travel. The reindeer are totally domesticated — the other word for the Dukha is Tsaatan, which directly translates to “reindeer herder.”The Dukha also train wolves and hunt with eagles.
 All photos by Hamid Sardar Afkhami. Source: Sharably




 “Baby at Play” is the final work in a series of intimate portraits of family and friends created by American artist Thomas Eakins between 1870 and 1876. The painting depicts the artist's two-and-a-half-year-old niece, Ella Crowell. Dressed in an intricately embroidered white frock, her legs clad in red-and-white striped stockings, the child is soberly absorbed at play. According to one interpretation, Eakins was depicting Ella's initial foray into the adult world of education and learning. Having temporarily cast aside her more infantile toys in favor of alphabet blocks—the tools of language—the child now seems ready to enter the next critical stage in her intellectual development.
What do you notice first in this painting? The monumentality of her painted form may seem surprising, considering the diminutive stature of Eakins' model. Her life-sized figure is arranged in a stable pyramidal block at the composition's center and the deft handling of light and shadow further emphasizes spatial volume. Eakins' choice of a lowered vantage point encourages the spectator to adopt a child's point of view.

Thomas Eakins, “Baby at Play,” 1876, oil on canvas, National Gallery of Art, Washington, John Hay Whitney Collection, 1982.76.5






  
She walks in beauty, like the night
Of cloudless climes and starry skies;
And all that’s best of dark and bright
Meet in her aspect and her eyes…
                 George Gordon Byron



DON'T YOU JUST LOVE POP ART?


Occupying an entire wall, this colorful composition zigzags slightly and the forms seem to change in size as the viewer walks by. Daily Art Shot (785 of ∞):Yaacov Agam, “Transparent Rhythms II,” 1967-1968, oil on aluminum (109 x 158 1/4 in.).


Irony 



Trust your heart if the seas catch fire,
live by love though the stars walk backward
                                     E.E. Cummings



It is not the length of life, but the depth. Ralph Waldo Emerson

                   Sculpture this and Sculpture that

“The Martyr,” modeled 1885, enlarged 1889; cast 1925, by Auguste Rodin



Latin Word of the Day
Perpetuus: perpetual, continuous
Example sentence:     Propter curam Ciceronis nostra civitas in perpetuo periculo non erit.
Sentence meaning:    Because of the care of Cicero our city will not be in continuous danger.


ABOUT THE AUTHOR

John William Tuohy is a writer who lives in Washington DC. He holds an MFA in writing from Lindenwood University.
He is the author of No Time to Say Goodbye: Memoirs of a Life in Foster Care and Short Stories from a Small Town. He is also the author of numerous non-fiction on the history of organized crime including the ground break biography of bootlegger Roger Tuohy "When Capone's Mob Murdered Touhy" and "Guns and Glamour: A History of Organized Crime in Chicago."
His non-fiction crime short stories have appeared in The New Criminologist, American Mafia and other publications. John won the City of Chicago's Celtic Playfest for his work The Hannigan's of Beverly, and his short story fiction work, Karma Finds Franny Glass, appeared in AdmitTwo Magazine in October of 2008.
His play, Cyberdate.Com, was chosen for a public performance at the Actors Chapel in Manhattan in February of 2007 as part of the groups Reading Series for New York project. In June of 2008, the play won the Virginia Theater of The First Amendment Award for best new play.
Contact John:
MYWRITERSSITE.BLOGSPOT.COM
JWTUOHY95@GMAIL.COM


HERE'S MY LATEST BOOKS.....

This is a book of short stories taken from the things I saw and heard in my childhood in the factory town of Ansonia in southwestern Connecticut.

Most of these stories, or as true as I recall them because I witnessed these events many years ago through the eyes of child and are retold to you now with the pen and hindsight of an older man. The only exception is the story Beat Time which is based on the disappearance of Beat poet Lew Welch. Decades before I knew who Welch was, I was told that he had made his from California to New Haven, Connecticut, where was an alcoholic living in a mission. The notion fascinated me and I filed it away but never forgot it.     

The collected stories are loosely modeled around Joyce’s novel, Dubliners (I also borrowed from the novels character and place names. Ivy Day, my character in “Local Orphan is Hero” is also the name of chapter in Dubliners, etc.) and like Joyce I wanted to write about my people, the people I knew as a child, the working class in small town America and I wanted to give a complete view of them as well. As a result the stories are about the divorced, Gays, black people, the working poor, the middle class, the lost and the found, the contented and the discontented.

Conversely many of the stories in this book are about starting life over again as a result of suicide (The Hanging Party, Small Town Tragedy, Beat Time) or from a near death experience (Anna Bell Lee and the Charge of the Light Brigade, A Brief Summer) and natural occurring death. (The Best Laid Plans, The Winter Years, Balanced and Serene)

With the exception of Jesus Loves Shaqunda, in each story there is a rebirth from the death. (Shaqunda is reported as having died of pneumonia in The Winter Years)
Sal, the desperate and depressed divorcee in Things Change, changes his life in Lunch Hour when asks the waitress for a date and she accepts. (Which we learn in Closing Time, the last story in the book) In The Arranged Time, Thisby is given the option of change and whether she takes it or, we don’t know. The death of Greta’s husband in A Matter of Time has led her to the diner and into the waiting arms of the outgoing and loveable Gabe.

Although the book is based on three sets of time (breakfast, lunch and dinner) and the diner is opened in the early morning and closed at night, time stands still inside the Diner. The hour on the big clock on the wall never changes time and much like my memories of that place, everything remains the same.

http://www.amazon.com/Short-Stories-Small-William-Tuohy/dp/1517270456/ref=sr_1_1?s=books&ie=UTF8&qid=1444164878&sr=1-1&keywords=short+stories+from+a+small+town


The Valley Lives

By Marion Marchetto, author of The Bridgewater Chronicles on October 15, 2015
Short Stores from a Small Town is set in The Valley (known to outsiders as The Lower Naugatuck Valley) in Connecticut. While the short stories are contemporary they provide insight into the timeless qualities of an Industrial Era community and the values and morals of the people who live there. Some are first or second generation Americans, some are transplants, yet each takes on the mantle of Valleyite and wears it proudly. It isn't easy for an author to take the reader on a journey down memory lane and involve the reader in the life stories of a group of seemingly unrelated characters. I say seemingly because by book's end the reader will realize that he/she has done more than meet a group of loosely related characters.
We meet all of the characters during a one-day time period as each of them finds their way to the Valley Diner on a rainy autumn day. From our first meeting with Angel, the educationally challenged man who opens and closes the diner, to our farewell for the day to the young waitress whose smile hides her despair we meet a cross section of the Valley population. Rich, poor, ambitious, and not so ambitious, each life proves that there is more to it beneath the surface. And the one thing that binds these lives together is The Valley itself. Not so much a place (or a memory) but an almost palpable living thing that becomes a part of its inhabitants.
Let me be the first the congratulate author John William Tuohy on a job well done. He has evoked the heart of The Valley and in doing so brought to life the fabric that Valleyites wear as a mantle of pride. While set in a specific region of the country, the stories that unfold within the pages of this slim volume are similar to those that live in many a small town from coast to coast.

By Sandra Mendyk
Just read "Short Stories from a Small Town," and couldn't put it down! Like Mr. Tuohy's other books I read, they keep your interest, especially if you're from a small town and can relate to the lives of the people he writes about. I recommend this book for anyone interested in human interest stories. His characters all have a central place where the stories take place--a diner--and come from different walks of life and wrestle with different problems of everyday life. Enjoyable and thoughtful.

I loved how the author wrote about "his people"
By kathee
A touching thoughtful book. I loved how the author wrote about "his people", the people he knew as a child from his town. It is based on sets of time in the local diner, breakfast , lunch and dinner, but time stands still ... Highly recommend !

WONDERFUL book, I loved it!
By John M. Cribbins
What wonderful stories...I just loved this book.... It is great how it is written following, breakfast, lunch, dinner, at a diner. Great characters.... I just loved it....



Dare to live the life you have dreamed for yourself. Go forward and make your dreams come true. Ralph Waldo Emerson 






Surround yourself with people who know your worth. You don’t need too many friends in your life; you just need a few who can see who you are, and appreciate your uniqueness and value.

Knowing yourself is the beginning of all wisdom. Aristotle




Real generosity toward the future lies in giving all to the present. Albert Camus, The Rebel




Learning is the only thing the mind never exhausts, never fears, and never regrets.


THE ART OF WAR............

AND HERE'S SOME ANIMALS FOR YOU................... 











BLOGLAPEDIA’S BLOGS



ARCHITECTURE
Architecture for the blog of it
http://architecturefortheblogofit.blogspot.com/

THE ARTS
Art for the Blog of It
http://artfortheblogofit.blogspot.com/

Art for the Pop of it
http://artforthepopofit.blogspot.com/

Photography for the blog of it
http://photographyfortheblogofit.blogspot.com/

Music for the Blog of it
http://musicfortheblogofit.blogspot.com/

Sculpture this and Sculpture that
http://sculpturethisandsculpturethat.blogspot.com/

The art of War (Propaganda art through the ages)
http://theartofwarcleverhuh.blogspot.com/

Album Art (Photographic arts)
http://albumartsocheesyitsgood.blogspot.com/

Pulp Fiction Trash (The art of Pulp Fiction covers)
http://pulpfictiontrash.blogspot.com/

Admit it, you want to Read this Book (The art of Pulp Fiction covers)
http://goaheadadmitityouwanttoread.blogspot.com/

FILM
The Godfather Trilogy BlogSpot
http://thegodfathertrilogyblogspot.blogspot.com/

On the Waterfront: The Making of a great American Film
http://onthewaterfrontthefilm.blogspot.com/

FOOD
Absolutely blogalicious
http://absolutelyblogalicious.blogspot.com/

The Wee Book of Irish Recipes (Book support site)
http://theweeblogofirishrecipes.blogspot.com/

Good chowda (New England foods)
http://goodchowda.blogspot.com/

Old New England Recipes (Book support site)
http://oldnewenglandrecipes.blogspot.com/

And I Love Clams (New England foods)
http://andiloveclams.blogspot.com/

In Praise of the Rhode Island Wiener (New England foods)
http://inpraiseoftherhodeislandwiener.blogspot.com/

Wicked Cool New England Recipes (New England foods)
http://whickedcoolnewenglandrecipes.blogspot.com

Old New England Recipes (New England foods)
http://oldnewenglandrecipes.blogspot.com

FOSTER CARE
Foster Care new and Updates

Aging out of the system

Murder, Death and Abuse in the Foster Care system

Angel and Saints in the Foster Care System

The Foster Children’s Blogs

Foster Care Legislation

The Foster Children’s Bill of Right

Foster Kids own Story

The Adventures of Foster Kid.

HEALTH
Me vs. Diabetes (Diabetes education site)
http://mevsdiabetes-bloglapedia.blogspot.com/

HISTORY
The Quotable Helen Keller
http://thequotablehelenkeller.blogspot.com/

Teddy Roosevelt's Letters to his children (Book support site)
http://teddyrooseveltsletterstohischildren.blogspot.com/

The Quotable Machiavelli (Book support site)
http://thequotablemachiavelli.blogspot.com/

HUMOR
Whatever you do, don't laugh
http://whateveryoudodontlaugh.blogspot.com/

The Quotable Grouch Marx
http://thequotablegrouchmarx.blogspot.com/

IRISH-AMERICANA
A Big Blog of Irish Literature
http://abigblogofirishliterature.blogspot.com/

The Wee Blog of Irish Jokes (Book support blog)
http://theweeblogofirishjokes.blogspot.com/

The Wee Blog of Irish Recipes
http://theweeblogofirishrecipes.blogspot.com/

The Irish American Gangster
http://irishamericangangsters.blogspot.com

The Irish in their Own Words
http://theirishintheirownwords.blogspot.com/

When Washington Was Irish
http://whenwashingtonwasirish.blogspot.com/

The Wee Book of Irish Recipes (Book support site)
http://theweeblogofirishrecipes.blogspot.com/

LITERATURE
Following Fitzgerald
http://followingfitzgerald.blogspot.com/

Shakespeare
http://shakespeareinamericanenglish.blogspot.com/

The Blogable Robert Frost
http://theblogablerobertfrost.blogspot.com/

Charles Dickens
http://charlesdickensfan.blogspot.com/

The Beat Poets of the Forever Generation
http://thebeatspoetsoftheforevergenera.blogspot.com/

Holden Caulfield Blog Spot
http://holdencaulfieldblogspot.blogspot.com/

The Quotable Oscar Wilde
http://thequotableoscarwilde.blogspot.com/

NEW ENGLAND BLOGS
The Quotable Thoreau
http://thequotablethenrydavidthoreau.blogspot.com/

Old New England Recipes
http://oldnewenglandrecipes.blogspot.com

Wicked Cool New England Recipes
http://whickedcoolnewenglandrecipes.blogspot.com

Emerson
http://emersonsaidit.blogspot.com/

The New England Mafia
http://thenewenglandmafia.blogspot.com/

And I Love Clams
http://andiloveclams.blogspot.com/

In Praise of the Rhode Island Wiener
http://inpraiseoftherhodeislandwiener.blogspot.com/

Watch Hill
http://watchhillwesterly.blogspot.com/

York Beach
http://yorkbeachfortheblogofit.blogspot.com/

The Connecticut History Blog
http://connecticuthistory.blogspot.com/

The Connecticut Irish
http://theconnecticutirish.blogspot.com/

Good chowda
http://goodchowda.blogspot.com/

NOSTALGIA
God, How I hated the 70s
http://godhowihatedthe70s.blogspot.com/

Child of the Sixties Forever
http://childofthesixtiesforeverandever.blogspot.com/

The Kennedy’s in the 60’s
http://thekennedysinthe60s.blogspot.com/

Music of the Sixties Forever
http://musicofthesixtiesforever.blogspot.com/

Elvis and Nixon at the White House (Book support site)
http://elvisandnixonatthewhitehouse.blogspot.com/

Beatles Fan Forever
http://beatlesfanforever.blogspot.com/

Year One, 1955
http://yearone1955.blogspot.com/

Robert Kennedy in His Own Words

The 1980s were fun
http://the1980swereokayactually.blogspot.com/

The 1990s. The last decade.
http://1990sthelastdecade.blogspot.com/

ORGANIZED CRIME
The Russian Mafia
http://russianmafiagangster.blogspot.com/

The American Jewish Gangster
http://theamericanjewishgangster.blogspot.com/

The Mob in Hollywood
http://themobinhollywood.blogspot.com/

We Only Kill Each Other
http://weonlykilleachother.blogspot.com/

Early Gangsters of New York City
http://earlygangstersofnewyorkcity.blogspot.com/

Al Capone: Biography of a self-made Man
http://alcaponethebiographyofaselfmademan.blogspot.com/

The Life and World of Al Capone
http://thelifeandworldofalcapone.blogspot.com/

The Salerno Report
http://salernoreportmafiaandurderjohnkennedy.blogspot.com/

Guns and Glamour
http://gunsandglamourthechicagomobahistory.blogspot.com/

The St. Valentine’s Day Massacre
http://thesaintvalentinesdaymassacre.blogspot.com/

Mob Testimony
http://mobtestimony.blogspot.com/

Recipes we would Die For
http://recipeswewoulddiefor.blogspot.com/

The Prohibition in Pictures
http://theprohibitioninpictures.blogspot.com/

The Mob in Pictures
http://themobinpictures.blogspot.com/

The Mob in Vegas
http://themobinvegasinpictures.blogspot.com/

The Irish American Gangster
http://irishamericangangsters.blogspot.com

Roger Touhy Gangster
http://rogertouhygangsters.blogspot.com/

Chicago’s Mob Bosses
http://chicagosmobbossesfromaccardoto.blogspot.com/

Chicago Gang Land: It Happened Here
http://chicagoganglandithappenedhere.blogspot.com/

Whacked: One Hundred years of Murder in Gangland
http://whackedonehundredyearsmurderand.blogspot.com/

The Mob Across America
http://themobacrossamerica.blogspot.com/

Mob Cops, Lawyers and Front Men
http://mobcopslawyersandinformantsand.blogspot.com/

Shooting the Mob: Dutch Schultz
http://shootingthemobdutchschultz.blogspot.com/

Bugsy& His Flamingo: The Testimony of Virginia Hill
http://bugsyandvirginiahill.blogspot.com/

After Valachi. Hearings before the US Senate on Organized Crime
http://aftervalachi.blogspot.com/

Mob Buster: Report of Special Agent Virgil Peterson to the Kefauver Committee (Book support site)
http://virgilpetersonmobbuster.blogspot.com/

The US Government’s Timeline of Organized Crime (Book support site)
http://timelineoforganizedcrime.blogspot.com/

The Kefauver Organized Crime Hearings (Book support site)
http://thekefauverorganizedcrimehearings.blogspot.com/

Joe Valachi's testimony on the Mafia (Book support site)
http://joevalachistestimonyonthemafia.blogspot.com/

Mobsters in the News
http://mobstersinthenews.blogspot.com/

Shooting the Mob: Dead Mobsters (Book support site)
http://deadmobsters.blogspot.com/

The Stolen Years Full Text (Roger Touhy)
http://thestolenyearsfulltext.blogspot.com/

Mobsters in Black and White
http://mobstersinblackandwhite.blogspot.com/

Mafia Gangsters, Wiseguys and Goodfellas
http://mafiagangsterswiseguysandgoodfellas.blogspot.com/

Whacked: One Hundred Years of Murder and Mayhem in the Chicago Mob (Book support site)
http://whackedonehundredyearsmurderand.blogspot.com/

Gangland Gaslight: The Killing of Rosy Rosenthal (Book support site)
http://ganglandgaslightrosyrosenthal.blogspot.com/

The Best of the Mob Files Series (Book support site)
http://thebestofthemobfilesseries.blogspot.com/

PHILOSOPHY
It’s All Greek Mythology to me
http://itsallgreekmythologytome.blogspot.com/

PSYCHOLOGY
Psychologically Relevant
http://psychologicallyrelevant.blogspot.com/

SNOBBERY
The Rarifieid Tribe
http://therarifiedtribe.blogspot.com/

Perfect Behavior
http://perfectbehavior.blogspot.com/

TRAVEL
The Upscale Traveler
http://theupscaletraveler.blogspot.com/

TRIVIA
The Mish Mosh Blog
http://theupscaletraveler.blogspot.com/

WASHINGTON DC
DC Behind the Monuments
http://dcbehindthemonuments.blogspot.com/

Washington Oddities
http://washingtonoddities.blogspot.com/

When Washington Was Irish
http://whenwashingtonwasirish.blogspot.com/


FROM LLR BOOKS. COM
Litchfield Literary Books. A really small company run by writers.

AMERICAN HISTORY


The Day Nixon Met Elvis
Paperback 46 pages
http://www.amazon.com/Day-Nixon-Met-elvis/

Theodore Roosevelt: Letters to his Children. 1903-1918
Paperback 194 pages
http://www.amazon.com/Theodore-Roosevelt-Letters-Children-1903-1918/dp/

THE ANCIENT GREEKS AND CIVILIZATIONS
The Works of Horace
Paperback 174 pages
http://www.amazon.com/Works-Horace-Richard-Willoughby/

The Quotable Greeks
Paperback 234 pages
http://www.amazon.com/Quotable-Greeks-Richard-W-Willoughby

The Quotable Epictetus
Paperback 142 pages
http://www.amazon.com/Quotable-Epictetus-Golden-Sayings

Quo Vadis: A narrative of the time of Nero
Paperback 420 pages
http://www.amazon.com/Quo-Vadis-Narrative-Time-Nero

CHILDRENS BOOKS
The Porchless Pumpkin: A Halloween Story for Children
A Halloween play for young children. By consent of the author, this play may be performed, at no charge, by educational institutions, neighborhood organizations and other not-for-profit-organizations.
A fun story with a moral
“I believe that Denny O'Day is an American treasure and this little book proves it. Jack is a pumpkin who happens to be very small, by pumpkins standards and as a result he goes unbought in the pumpkin patch on Halloween eve, but at the last moment he is given his chance to prove that just because you're small doesn't mean you can't be brave. Here is the point that I found so wonderful, the book stresses that while size doesn't matter when it comes to courage...ITS OKAY TO BE SCARED....as well. I think children need to hear that, that's its okay to be unsure because life is a ongoing lesson isn't it?”
Paperback: 42 pages
http://www.amazon.com/OLANTERN-PORCHLESS-PUMPKIN-Halloween-Children


It's Not All Right to be a Foster Kid....no matter what they tell you: Tweet the books contents
Paperback 94 pages
http://www.amazon.com/Right-Foster-Kid-no-matter-what

From the Author
I spent my childhood, from age seven through seventeen, in foster care.  Over the course of those ten years, many decent, well-meaning, and concerned people told me, "It's okay to be foster kid."
In saying that, those very good people meant to encourage me, and I appreciated their kindness then, and all these many decades later, I still appreciate their good intentions. But as I was tossed around the foster care system, it began to dawn on me that they were wrong.  It was not all right to be a foster kid.
During my time in the system, I was bounced every eighteen months from three foster homes to an orphanage to a boy's school and to a group home before I left on my own accord at age seventeen.
In the course of my stay in foster care, I was severely beaten in two homes by my "care givers" and separated from my four siblings who were also in care, sometimes only blocks away from where I was living.
I left the system rather than to wait to age out, although the effects of leaving the system without any family, means, or safety net of any kind, were the same as if I had aged out. I lived in poverty for the first part of my life, dropped out of high school, and had continuous problems with the law.
 Today, almost nothing about foster care has changed.  Exactly what happened to me is happening to some other child, somewhere in America, right now.  The system, corrupt, bloated, and inefficient, goes on, unchanging and secretive.
Something has gone wrong in a system that was originally a compassionate social policy built to improve lives but is now a definitive cause in ruining lives.  Due to gross negligence, mismanagement, apathy, and greed, mostly what the foster care system builds are dangerous consequences. Truly, foster care has become our epic national disgrace and a nightmare for those of us who have lived through it.
Yet there is a suspicion among some Americans that foster care costs too much, undermines the work ethic, and is at odds with a satisfying life.  Others see foster care as a part of the welfare system, as legal plunder of the public treasuries.
 None of that is true; in fact, all that sort of thinking does is to blame the victims.  There is not a single child in the system who wants to be there or asked to be there.  Foster kids are in foster care because they had nowhere else to go.  It's that simple.  And believe me, if those kids could get out of the system and be reunited with their parents and lead normal, healthy lives, they would. And if foster care is a sort of legal plunder of the public treasuries, it's not the kids in the system who are doing the plundering.
 We need to end this needless suffering.  We need to end it because it is morally and ethically wrong and because the generations to come will not judge us on the might of our armed forces or our technological advancements or on our fabulous wealth.
 Rather, they will judge us, I am certain, on our compassion for those who are friendless, on our decency to those who have nothing and on our efforts, successful or not, to make our nation and our world a better place.  And if we cannot accomplish those things in the short time allotted to us, then let them say of us "at least they tried."
You can change the tragedy of foster care and here's how to do it.  We have created this book so that almost all of it can be tweeted out by you to the world.  You have the power to improve the lives of those in our society who are least able to defend themselves.  All you need is the will to do it.
 If the American people, as good, decent and generous as they are, knew what was going on in foster care, in their name and with their money, they would stop it.  But, generally speaking, although the public has a vague notion that foster care is a mess, they don't have the complete picture. They are not aware of the human, economic and social cost that the mismanagement of the foster care system puts on our nation.
By tweeting the facts laid out in this work, you can help to change all of that.  You can make a difference.  You can change things for the better.
We can always change the future for a foster kid; to make it better ...you have the power to do that. Speak up (or tweet out) because it's your country.  Don't depend on the "The other guy" to speak up for these kids, because you are the other guy.
We cannot build a future for foster children, but we can build foster children for the future and the time to start that change is today.

No time to say Goodbye: Memoirs of a life in foster 
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